Bernard Kouchner Quotes
Quotes to Explore
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Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today - but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all.
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One can never know enough. The unknown and its call lies even in what we know.
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I love a good Slash guitar riff. It's sexy!
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Experiencing sadness and anger can make you feel more creative, and by being creative, you can get beyond your pain or negativity.
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Brittany Murphy... who knows if she's going to be around. Kirsten Dunst, I think she's really boring. Reese Witherspoon? She can open a movie.
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I cannot be music director at La Scala and at Staatsoper. This would be unfair to one of the two institutions.
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Self-complacency is pleasure accompanied by the idea of oneself as cause.
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Listen, I'm not a rich kid. I'm a cultured kid; I'm very rich in culture.
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The power structures in fashion used to be limited to western Europe and the States. That's changing.
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The Empress has been connected with the ideas of universal fecundity and in a general sense with activity.
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Everything I did in my life that was worthwhile, I caught hell for.
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I will never censor myself to please anyone.
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I think money is important for everyone, because the lack of it is so painful.
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My most important projects have been the building and maintaining of schools and medical clinics for my dear friends in the Himalaya and helping restore their beautiful monasteries, too.
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The purse strings tie us to our kind.
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Years of love have been forgotIn the hatred of a minute.
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I treat paintings as I treat objects. If a window in a picture looks wrong, I close it and draw the curtains, just as I would do in my own room.
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Old houses were scaffolding once and workmen whistling.
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A flattering painter, who made it his careTo draw men as they ought to be, not as they are.
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In soft regions are born soft men.
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The one predominant duty is to find one's work and do it.
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Becoming Richard Pryor is a compulsively readable book that sets a new gold standard for American biography. Scott Scaul's research is extraordinary; his writing is taut, elegant, and insightful; and he captures both the hilarity and pain that made Richard Pryor such a towering figure.
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Mankind's suffering belongs to all men.
