Cynthia Leigh Wilson Quotes
I get to play around with different ideas and beautiful melodies. I don't have to yell in a rock voice. I think you can get an emotional depth in the types of rooms we're playing that you can't find in larger rooms.
Quotes to Explore
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I'm not coming back to play.
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I play basketball on Sundays and I'm a very spiritual guy; I read a lot of Eastern philosophy and I meditate.
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I wonder if I maybe have a natural floatiness that comes through in everyone I play.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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He was so honest you could play craps with him over the phone.
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Some days I wouldn't even go to class. I'd sit in the room and play video games with my friends and eat powdered mashed potatoes.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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I am lucky that the Western world chooses me to play roles in their movies an television, whatever language it may be.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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With a rock band, you play the same things over and over and over.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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My whole career has been fulfilling my childhood fantasies, playing characters that are larger than life, getting to play a knight, an elf, a prince, and a soldier.
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I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing.
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I tried to stick with what I knew best, which is writing rock n' roll songs and melodies. I am as passionate as I was when I was 20.
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Anytime I can add a smile to somebody's life that's all well and good, but I play the game to play the game.
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The old men of the village of Mahotière say that the Mistress of the Water is a mulatto woman. At midnight she comes out of the spring and sings while combing her dripping long hair, which makes a sound sweeter than a violin. It is a song of perdition for whomever hears it. There is no sign of the Cross, no "Our Father" to save him. Her curse takes him like a fish in a net and the Mistress of the Water awaits him on the edge of the spring and smiles upon him and tells him to follow her to the depths, from which he will never return.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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I get to play around with different ideas and beautiful melodies. I don't have to yell in a rock voice. I think you can get an emotional depth in the types of rooms we're playing that you can't find in larger rooms.
