Cynthia Leigh Wilson Quotes
I get to play around with different ideas and beautiful melodies. I don't have to yell in a rock voice. I think you can get an emotional depth in the types of rooms we're playing that you can't find in larger rooms.
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Quotes to Explore
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I'm not coming back to play.
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I wonder if I maybe have a natural floatiness that comes through in everyone I play.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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He was so honest you could play craps with him over the phone.
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Some days I wouldn't even go to class. I'd sit in the room and play video games with my friends and eat powdered mashed potatoes.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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I am lucky that the Western world chooses me to play roles in their movies an television, whatever language it may be.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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With a rock band, you play the same things over and over and over.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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My whole career has been fulfilling my childhood fantasies, playing characters that are larger than life, getting to play a knight, an elf, a prince, and a soldier.
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I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing.
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I play the keyboard, piano - I like making beats.
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When you play a character, there's always a part of you. Like, you always bring out a side of you when you do another character.
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Make your work your play and your play your work.
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I think it’s important for me to play well and set the tone.
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While the repression of a memory is a psychological process, the suppression of feeling is accomplished by deadening a part of the body or reducing its motility so that feeling is diminished. The repression of the memory is dependent upon and related to the suppression of feeling, for as long as the feeling persists, the memory remains vivid. Suppression entails the development of chronic muscular tension in those areas of the body where the feeling would be experienced. In the case of sexual feeling, this tension is found in and about the abdomen and pelvis.
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I get to play around with different ideas and beautiful melodies. I don't have to yell in a rock voice. I think you can get an emotional depth in the types of rooms we're playing that you can't find in larger rooms.