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I had heard that Robert Duvall was interested in doing 'Lonesome Dove,' and he's one of those actors with whom I'd work on any project. So I tracked down the script and started to bug the producer, Dyson Lovell, to get in there.
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Joe Jackson was a tragic figure. He was a serene country boy who signed a confession he couldn't read. He was illiterate.
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I got to be good friends with Scott Hamilton.
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More is asked of you on stage. It's no way to make a living. But it's like a bullfight. You find out who can do it and who can't.
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I'm not one of these million-dollar actors. I have always been just a working actor. I probably work more than I would like to.
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I thought it's very funny that I ended up as a voiceover guy because when I started out as an actor, I had a very strong Long Island accent.
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Why should a filmmaker turn over the irreplaceable asset, the movie, to a distribution center?
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I had cooked a lot in restaurants, in Rocky Point and on golf courses on Long Island, and my mother said, 'Be a chef,' and my dad said, 'Be a lawyer.' But instead, I auditioned for N.Y.U.'s Tisch School of the Arts.
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I've seen people who stink, but the film editor shows them just where they didn't stink. But if you're empty and manipulative on stage, it's clear.
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I have never been one of those actors who say, 'Oh, my character wouldn't do this,' or 'My character never wears an orange shirt,' or any of the number of inane things I've heard on movie sets throughout my career.
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If Gretzky was velvet, Ovechkin is electricity.
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On a movie set, there's so much down time, adjusting the lighting. It gave me time to nap, call my friends, relax, work out. But with TV, there's no break time. None.
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I think Joe Jackson is a great American figure. In my opinion, he became a scapegoat.
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I don't play the bass. I'm not in a band. I tried to think of ways I could touch base with the troops and support what we're doing.
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I'm sure that President Trump will do plenty of things that people don't like, plenty of things people do like, and the people who don't like it, at that point, certainly take advantage of your rights and protest it - and try to seek change or do whatever you want.
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I grew up Catholic, so the more non-denominational Christian experience was a new experience for me.
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I would love to do another hockey movie. There are a lot of people in Hollywood looking for the right hockey script.
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When you're 47 years old and playing at a world-class level in the fastest sport, and you have zero percent body fat, you need to be brought down a peg as often as possible.
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The great thing for me about 'The Resurrection of Gavin Stone' is it's a throwback to the old fashioned Hollywood movie that you can watch with your family, has a message, and is funny and entertaining. They didn't call them faith-based movies; they just called them good movies.
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I was taking hitting clinics every chance I got. I really worked on it. It was just fun to be given that invitation from the director to make the baseball as good as we can.
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I didn't want people to think I'm just in the movies, where you make money and wait around for 13 hours before you get to do 20 minutes of work.
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My sister Kathleen - one year older - was the school's acting legend. Her thing was getting all the parts, even Tiresias. And I wasn't going to mess with that.
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Say something personal, not from a publicist.
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I felt like the world of baseball in 1919 was much closer to what A-ball would be now - guys riding buses, there's no training staff, and there's a lot of paranoia.