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I'm not one of these million-dollar actors. I have always been just a working actor. I probably work more than I would like to.
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Fifty-million-dollar movies gobble up the medium movies. A lot of people aren't working in Hollywood because of this.
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I think it's particularly stupid that filmmakers have traditionally said, 'Yeah, I like baseball, but the movie's not going to be about the intricacies of the game.' I mean, you wouldn't cast an overweight guy with stubble if you were doing a ballet film.
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I've seen people who stink, but the film editor shows them just where they didn't stink. But if you're empty and manipulative on stage, it's clear.
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More is asked of you on stage. It's no way to make a living. But it's like a bullfight. You find out who can do it and who can't.
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If Gretzky was velvet, Ovechkin is electricity.
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I had cooked a lot in restaurants, in Rocky Point and on golf courses on Long Island, and my mother said, 'Be a chef,' and my dad said, 'Be a lawyer.' But instead, I auditioned for N.Y.U.'s Tisch School of the Arts.
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All these big corporations like Amazon, those places have great distribution arms, but they can't create content.
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I think Joe Jackson is a great American figure. In my opinion, he became a scapegoat.
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I don't like the NFL, where I think it's a problem: some guy scores a touchdown, now he's got some kind of dance that he planned. To me, I just want to change the channel.
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I didn't want people to think I'm just in the movies, where you make money and wait around for 13 hours before you get to do 20 minutes of work.
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I don't play the bass. I'm not in a band. I tried to think of ways I could touch base with the troops and support what we're doing.
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I have never been one of those actors who say, 'Oh, my character wouldn't do this,' or 'My character never wears an orange shirt,' or any of the number of inane things I've heard on movie sets throughout my career.
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When you're 47 years old and playing at a world-class level in the fastest sport, and you have zero percent body fat, you need to be brought down a peg as often as possible.
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I had heard that Robert Duvall was interested in doing 'Lonesome Dove,' and he's one of those actors with whom I'd work on any project. So I tracked down the script and started to bug the producer, Dyson Lovell, to get in there.
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I would love to do another hockey movie. There are a lot of people in Hollywood looking for the right hockey script.
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My sister Kathleen - one year older - was the school's acting legend. Her thing was getting all the parts, even Tiresias. And I wasn't going to mess with that.
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On a movie set, there's so much down time, adjusting the lighting. It gave me time to nap, call my friends, relax, work out. But with TV, there's no break time. None.
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The great thing for me about 'The Resurrection of Gavin Stone' is it's a throwback to the old fashioned Hollywood movie that you can watch with your family, has a message, and is funny and entertaining. They didn't call them faith-based movies; they just called them good movies.
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I felt like the world of baseball in 1919 was much closer to what A-ball would be now - guys riding buses, there's no training staff, and there's a lot of paranoia.
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I'm sure that President Trump will do plenty of things that people don't like, plenty of things people do like, and the people who don't like it, at that point, certainly take advantage of your rights and protest it - and try to seek change or do whatever you want.
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I think Ovechkin is everything the NHL needs.
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I've been doing this for 33 years, and sometimes you make movies and nobody cares. But when people care, it's the greatest thing in the world - even when it's passionately against the title - because it's going to start a conversation.
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I grew up Catholic, so the more non-denominational Christian experience was a new experience for me.