Casper Van Dien (Casper Robert Van Dien Jr.) Quotes
Quotes to Explore
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Jesus got me through the slums without getting murdered. I just walked with him as though he were really there and not a spirit just floating around.
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When our most important issue is the debt that we're piling on our children and grandchildren, I think it's pretty helpful to have someone in the U.S. Senate who has actually managed billions of dollars and knows how to cut billions of dollars.
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I worked for Oprah Winfrey for two years right out of college in 2004. I was a director's assistant on the film 'Their Eyes Were Watching God,' which Oprah produced.
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Everything I do now is a first.
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I like very much to put on fashion shows.
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I love my friends and family, but playing, that's my DNA.
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I think some of my inspiration came from just being around music. My family was into music. My uncle had his own band and my father use to sing in my uncle's band. If you want to go to the music influences we could be here all day. That's everybody from Michael Jackson all the way up to people in the game now that inspire me.
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They say my public persona don't have enough appeal, I take a lesson from Kanye and give 'em something real.
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Fascism was little more than terrorist rule by corrupt gangsters. Mussolini was not corrupt himself but he did nothing except to rage impotently.
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The deepest words of the wise man teach us the same as the whistle of the wind when it blows or the sound of the water when it is flowing.
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Our lives are changing, this old world keeps turning. And I sit here and wonder, baby, what we're really learning.
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It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is that they realise their ideal too absolutely. For, when the ideal is realised, it is robbed of its wonder and its mystery, and becomes simply a new starting-point for an ideal that is other than itself.
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I wish someone would have told me that, just because I'm a girl, I don't have to get married.
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You can't tell a good story without conflict - the story can't be beautiful or meaningful. We're taught to run from conflict, and it's robbing us of some really good stories.
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And it seemed to me that longing was everything, longing is all we are.
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I used to think it was mere homesickness, then I started getting it at home.
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People always ask, 'Was it fun? Was it fun working on a movie?' I don't know if that's the operative word. It is challenging and interesting and all those other things, but fun isn't always.
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I think in most cases, if you're with good people, comedy creation happens faster in collaboration. That's how I can tell if it's a good collaboration: If it's faster than me by myself, then it works. If it's slower than me by myself, then I get out of the room.
