Catherine Brady Quotes
You don't really have a story until you discover the moment when the pressures on a character force a sudden, abrupt shift in direction and she falls through the net that has so far held her in place.
Quotes to Explore
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I've gone very far, far away, but my character keeps me close to home.
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I enjoy a character who sticks to her guns, who's always challenging herself. That's something I can relate to.
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There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of '92 to look at his version.
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This character in the film, these things that he says which sound like advice and wise things, they are very common for Orientals. It's all the tradition.
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I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.
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It's a very strange experience being on set of 'Breaking Bad;' you never know what's coming next for your character. I feel like I don't even know if I'm going to live through the next scene I'm in. It's exciting to work on.
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Only men of character are trusted.
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There have been a lot of moments in my career when things haven't gone to plan.
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Stupid is a great force in human affairs.
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I think there are probably a handful of real character actors in this business. The rest of us are recycling. So now I'm Sam Malone the editor. I'm Sam Malone the billionaire.
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I like the pressure of having to perform so people will come to me.
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Moonlight on canvas, midnight and wine,Two shadows starting to softly combine.The picture they're paintingIs one of the heart;And to those who have seen it,It's a true work of art.Oh, the red strokes,Passions uncaged;Thundering moments of tenderness rage.Oh, the red strokes,Tempered and strong (Fearlessly drawn),Burning the night like the dawn.
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If we do not depart from God, and disunite by that departure, and fall into disunion among ourselves, I am confident, we doing our duty and waiting upon the Lord, we shall find He will be as a wall of brass round about us till we have finished that work which he has for us to do.
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There was the normal high that comes from the hormones of youth, that fresh sense of being unchained. But also there was the omnipresent feeling that It could go down. In those moments-which back then were all of our moments-your neurology was always code red.
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It seems pretentious to assume that we are not creatures of action. I think often it takes a situation of extreme absurdity, extreme action, to push us to the limits of what our character is, and to change us as people.
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And that's what the audience was feeling too, as they watched the show and as they watch it now. And overriding all of that is the way it was written. It was written honestly. There was never any manufactured laugh. There was never compromising of character.
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Drax isn't your average stereotypical soldier/warrior/musclehead. He actually has some depth. It was a character that I wanted to play, not only because I love acting so much, but also, I needed to play to get people to actually take me seriously as an actor and get away from the pro wrestling label.
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There's something weird about the Scots. We are a troubled, slightly tortured race - the sense of the respectable outward character and, inside, the turmoil of something darker.
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I think Ada in 'The Piano' is the most interior character I've ever had the chance to play, either on the stage or in anything I've done for film or TV.
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Past middle age, some friends suggested that I should have my eyebags removed, the deepening creases on my face stretched. I often examined my face in the mirror, imagining how I'd look if I followed the suggestion. I decided to retain the old mug. I was too familiar and comfortable with it. And the final hindrance: the cost.
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I'm pretty boring really.
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You don't really have a story until you discover the moment when the pressures on a character force a sudden, abrupt shift in direction and she falls through the net that has so far held her in place.
