Rachel Kushner Quotes
I shy away from plot structure that depends on the characters behaving in ways that are going to eventually be explained by their childhood, or by some recent trauma or event. People are incredibly complicated. Who knows why they are the way they are?
Quotes to Explore
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I joined the Army at 19 as a soldier and spent about four and a half years with them. Then I broke my back in a freefall parachuting accident and spent a year in rehabilitation back in the U.K.
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I've been following what's happening in Colombia because it's the country of my childhood.
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I'm not in the K-1 tournament. We thought about it but they really don't want me as they feel I might get hurt so that's fine with me but I do see a lot of guys out there that I feel I can take.
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I think what 'The Monster' means to me is I find it really hard - like a lot of other people in the world - to really be OK in my own skin. It was a message to myself saying, 'It's OK that you're not perfect.' I'm gonna learn to love myself and accept myself, even though I'm a little crazy.
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The ruling ideas of each age have ever been the ideas of its ruling class.
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One Direction is the main thing I'm doing and I'm 100 per cent dedicated to the group.
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To win in Australia, for me, has to be the ultimate success because the Aussies live for sport.
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I tramped. When I was on the freight trains, I wasn't looking for work. I was looking to go from place to place without paying any money.
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If you're going to play a villain, there's no greater compliment than being told that you give people nightmares. I never thought I would be the actor that would give people nightmares.
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Every guy should be the owner of a really nice pen. When you put your thoughts down, or whenever you're going to share something with someone, it means something if it bleeds out in a nice ink.
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I'm not a babysitter.
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We have to think about the future and what it is we want to accomplish from this party.
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I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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You think, 'You hired me because I'm a creative artist with a vision. Don't try and knock it out of me.'
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I am aware that I look good for my age. It's my genes. My dad looked incredibly young, so did my mother. And a younger husband helps. Scott is only 45. If he hadn't come along, I don't know what I'd have done.
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I have a very musical family from my Scottish roots.
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You realize when you're pregnant how lucky you are to have access to medical care.
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Nobody would take me seriously. They would take one look at me and say, 'O.K., folk singer.' That was really hard for me, and I was angry a lot of the time. I did all these summer programs, and I never encountered another female playing jazz guitar. Ever.
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There is none made so great, but he may both need the help and service, and stand in fear of the power and unkindness, even of the meanest of mortals.
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When I turned 30, due to my father's heart history and my family genetics, I vowed to start seeing a cardiologist every year and just really be proactive and take my own heart health into my own hands.
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I have stage fright every single concert I've ever done. I have at least four or five minutes of it. It's absolute living hell.
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Why on earth should I care whether people read me with their eyes or their ears?
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I shy away from plot structure that depends on the characters behaving in ways that are going to eventually be explained by their childhood, or by some recent trauma or event. People are incredibly complicated. Who knows why they are the way they are?
