CC Sabathia (Carsten Charles Sabathia Jr.) Quotes
Quotes to Explore
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I am the last guy that wants to quit making music.
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I have great stories. I am going to write a book.
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Old people are scary. And I have to face it. I am old and I am scary.
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I'm fascinated by the way Diane Arbus saw things. She came from this fashion background and then twisted it.
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Have I been wiretapped? Yes. But who they said wiretapped me was incorrect.
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Too many actors get on an ego trip and won't do commercials, so they sit around for 20 years between jobs.
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In recent years, the government has lost more than five million fingerprints from government employees. They have lost hundreds of millions of credit numbers from financial institutions. This problem is happening more and more and more. And the only way we can protect ourselves is to make phones more and more secure.
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Ambition is the germ from which all growth of nobleness proceeds.
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If I can get a story about a player, I would give you a ship load of numbers, batting averages and all just for that one precious story. That's the kind of thing that I love to do.
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In the Soviet Union I was the head of all oil production. And you know in the Soviet Union, you didn't get that job unless you were really worth it.
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Television has done a lot for me, and I can never stay away from it.
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You know, I want to help my country. Definitely I can help them, simply by winning races. Sure, they can follow my path to a good career. But for me it is not enough. I want to be more than that. In everything I want to be a role model.
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Can you imagine what it would be like if all the Aussie film talent was able to make Australian stories?
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The expectations were low for 'Castle;' people thought we'd be one season and done.
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'When it comes to strangers with guns,' I told her, 'I think suspicion is more likely to keep you alive than trust.'
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We came to a side road, and off the side of the side road there was another fifteen foot cliff and at the bottom of the cliff there was another pile of garbage. And we decided that one big pile is better than two little piles, and rather than bring that one up we decided to throw ours down.
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I will never, ever forget the electricity I felt the first time I listened to the 'Purple Rain' soundtrack - and many times since.
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In 'Shadow Tag,' Erdrich creates scenes from a fictional marriage, that of two American Indians, Irene and her painter husband Gil, that suggest some of the worst psychological torments and stresses of real life.
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In a sense, the searches for both magnetic monopoles and gravity waves are very similar. But, theoretically, gravity waves are more solid.
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I'm good at description and imparting flow to a story, but I don't necessarily understand the value of long scenes.
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I have a very musical family from my Scottish roots.
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Consider the most famous pure dystopian tale of modern times, 1984, by George Orwell (1903-1950), published in 1948 (the same year in which Walden Two was published). I consider it an abominably poor book. It made a big hit (in my opinion) only because it rode the tidal wave of cold war sentiment in the United States.
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Woman is shut up in a kitchen or in a boudoir, and astonishment is expressed that her horizon is limited. Her wings are clipped, and it is found deplorable that she cannot fly.
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As long as we win games while I'm on the mound, I feel good.
