Joe Bonamassa Quotes
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If it wasn't for guys like Gary Moore, I wouldn't exist. He not only proved that the blues could rock but it could draw a crowd as well. All of which made a huge impression on me.
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When I write for an album, I'll always have about 30 different types of instrument around me. I set them up in a small room with my computer running GarageBand, which is always set to record.
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I don't think there's any music that you hear on the radio today that would be possible without Jimi Hendrix. Rock, blues-rock, heavy metal, any guitar stuff when you get right down to it - Jimi did it. He's certainly the guy who basically invented the blues-rock genre for guitar players.
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I used to watch MTV when they played music, and discovered Robert Cray, Stevie Ray Vaughan, Jeff Healey.
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All I'm trying to do is simply play guitar and elicit this creativity from the instrument.
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If I feel like things are getting into a routine, I want them to be different. I need to keep improving and keep moving forward.
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I never had this ego where I must write everything. I'm not Bob Dylan.
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I'm a self-loathing slide player. Some people like the way I play slide - I hate it.
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I went through a period in my life where I didn't have money to buy ramen noodles and peanut butter and jelly, but I also needed to go to the guitar store and buy strings and picks and polish and rags. I couldn't live with myself if I didn't play guitar.
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The blues, the way it's interpreted, is always a product of your environment, and so it's almost like food. You know, it's like you use the ingredients, and you use your life experiences that you have.
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A guitar is a guitar. Whether it was made yesterday or 51 years ago, if it's good, it will stand the test of time.
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I'm not sure when I first heard about Beth Hart. I do remember seeing her on various TV shows. I think I'd seen her on 'Conan O'Brien' or whatever. And it seemed that whenever we'd tour Europe, our paths would cross.
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If I'm soloing, I usually try to start with a theme, which will often stem from the blues.
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I've really gotten over pedals. I can't keep up with this craze of boutique pedals that make you sound like everything but your guitar. I can't get my head around it.
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I'm probably a more intentional acoustic player than I am an electric player because of lack of influences. I just play acoustic to see what happens.
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Everything Paul Kossoff did came from his fingers and went right into the amp. He was his own effects unit.
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That's where the Black Keys and Jack White have succeeded and I've failed: They've actually convinced college kids that they're listening to hip music - but it's just blues twisted a new way - while I'm playing for the college kid's parents.
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Most blues guitar players don't concentrate on singing and melodies. And forget about the bridge - the bridge doesn't exist. They go straight for the solo.
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A guitar is so tactile, and when you're playing bends - and bending notes is a big part of my style - there are so many notes within the note you're bending from and the note you're bending up to.
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Being a niche kind of artist, you're not going to make a lot of friends in the traditional music biz.
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Greece is so beautiful and inspiring.
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My first memory of guitar was seeing my father play one.
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I've always been a fan of the five-speed transmission - on anything.
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I really loved being able to perform my songs and sing them myself.