Betye Saar Quotes
I am intrigued with combining the remnant of memories, fragments of relics and ordinary objects, with the components of technology. It's a way of delving into the past and reaching into the future simultaneously.
Quotes to Explore
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I would love to be a role model.
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In one week, I went from being a girl who owed a guy thousands of dollars - my manager Anthony was paying for my outfits, paying for my food; I was sleeping in his parents' basement - to taking meetings with every major label in America. The next morning, I had a record deal and wrote him a cheque to pay back all that money.
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I don't know how people recognize me.
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Enjoy every sandwich.
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A lot of people think I had such a rosy career, but I wanted to identify that one of the things that helps you have a long career is learning how to deal with adversity, how to get past it. Once I learned how to get through that, others things didn't seem so hard.
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I was never a model-y model. I was doing it as a job, but people didn't even know I was a model.
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And when you start talking about the practicality of winning a race like that - you've got to remember we're not talking about winning 51 percent of the vote. We're talking about winning 36, 37, 38 percent of the vote.
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I wanted to be a skinny little ballerina but I was a voluptuous little Italian girl whose dad had meatballs on the table every night.
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You can't shame or humiliate modern celebrities. What used to be called shame and humiliation is now called publicity. And forget traditional character assassination; if you say a modern celebrity is an adulterer, a pervert and a drug addict, all it means is that you've read his autobiography.
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You have never been blessed out or bawled out or chewed out unless you got it from The Boo in his prime. Did I say he was five times louder than God? I'm sorry if that sounds sacrilegious and it certainly is not true. The Boo was at least ten times louder than God and I was scared of him my entire cadet career.
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The language of communication will always need to be renewed.
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The threat posed by Bank of America isn't just financial - it's a full-blown assault on the American dream. Where's the incentive to play fair and do well, when what we see rewarded at the highest levels of society is failure, stupidity, incompetence and meanness? If this is what winning in our system looks like, who doesn't want to be a loser?
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Guys like Josh Gordon need to stay in his sport and mind his own business.
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Angry people are not beautiful.
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Honestly, I enjoy nothing more than two Republicans going after each other.
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How do we describe the fact of human existence? At a certain point, perhaps, style fails us. Language, even and in particular at its most evocative, becomes less of an aid and more of a difficulty.
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It's good to feel stupid sometimes and do things that are out of your comfort zone.
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To shy away from human extremes and human sensuality makes for bone-dry fiction. A world parched of our sexual releases and our tumultuous daily emotional lives is deeply impoverished. It is not lifelike, at least life as I remember living it.
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I love films. I love music. I love poetry and stories. All of that I feel... I sort of get very excited and fed by.
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Clearly, we have compiled a record of serious failures in recent technological encounters with the environment. In each case, the new technology was brought into use before the ultimate hazards were known. We have been quick to reap the benefits and slow to comprehend the costs.
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Cakes are special. Every birthday, every celebration ends with something sweet, a cake, and people remember. It's all about the memories.
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I never had a girlLooking any better than you didAnd all the kids at schoolThey were wishing they were me that night.
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I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
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I am intrigued with combining the remnant of memories, fragments of relics and ordinary objects, with the components of technology. It's a way of delving into the past and reaching into the future simultaneously.
