Jermaine Scott Sinclair (Wretch 32) Quotes
Quotes to Explore
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The cause is hidden; the effect is visible to all.
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There are victories of the soul and spirit. Sometimes, even if you lose, you win.
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Barbra Streisand has accomplished so much, and Dustin Hoffman as well. They are down to earth and approachable. I admire that.
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We went to church every Sunday. When I was a kid, the only time I sang was around my family.
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It is heartbreaking to see so many animals in distress through the Gulf Coast region. Many of them are frightened, confused, hungry, dehydrated and lost.
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Talking about Korea, it has pretty high capital ratios at banks and maintains a good credit rating.
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What Americans expect from Washington is action that matches the urgency they feel in their daily lives.
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Know that America is a friend of each nation and every man, woman, and child who seeks a future of peace and dignity...[For] we are shaped by every language and culture, drawn from every end of this Earth.
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It is fair to say there are individuals in the United States who ascribe to al-Qaeda-type beliefs.
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All things are full of gods.
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American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.
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I was raised a good little Catholic. What's more theatrical than the ritual of the Catholic church?
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It is a clear gain to sacrifice pleasure in order to avoid pain.
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In the past 40 years, the United States lost more than a million farmers and ranchers. Many of our farmers are aging. Today, only nine percent of family farm income comes from farming, and more and more of our farmers are looking elsewhere for their primary source of income.
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I am a member of a team, and I rely on the team, I defer to it and sacrifice for it, because the team, not the individual, is the ultimate champion.
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I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.
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I like to envision the creation of a short story collection as being like putting together a jazz album. Yes, there's logic and literary structures imposed by me, but at the same time, all the tracks are shaped and ordered in a much more improvisational manner. The guiding principle for me is whether or not a story adds a layer or texture to the overall collection.
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It's always a challenge to shoot a period film and not have it look like you hit the tea stain button in post.
