Woody Herman Quotes
There were a lot of times where there was a great deal of fodder recorded and played, because there was a market for it - just as there is today. And there were more bad bands than there were good bands - I think that should always be remembered.
Quotes to Explore
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God's not thinking about your mistakes, failures or shortcomings. No, His thoughts toward you are good.
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Today, the Iraqi citizen sees that America is coming and wants to occupy his country and kill him, and he is willing to experience for himself what happened in Palestine.
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Akshay Kumar is a senior in the industry, and I consider myself lucky to be working with him. Each film of his opens to a packed house. Today, a film will sell only if you have a story. The audience is smart and won't be taken for a ride. And I'm confident about my movies.
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Back in the 1960s, the number of deaths each year from unintentional poisoning was 15 times greater than it is today.
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If it were not for the bad things that've happened to me, I wouldn't be the person I am today.
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Sometimes, thinking on your feet can be the most creative. Constrained circumstances can bring the best out of you. Some of the most successful shows come out of shoestring invention.
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In England, everyone believes if you think, then you don't feel. But all my novels are about joining together thinking and feeling.
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Terrorists are people, too - they are given to error. Naipaul and then DeLillo do a good job in their novels of drawing this out: I'm thinking of DeLillo's contention in 'Mao II' that terrorists have replaced writers as the people who 'alter the inner-life of the culture.' I thought that was marvellous!
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I simply want tomorrow to be better than today. I want Palestine to be independent and sovereign... Do not let the olive branch fall from my hand.
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The aim of science is to seek the simplest explanations of complex facts. We are apt to fall into the error of thinking that the facts are simple because simplicity is the goal of our quest. The guiding motto in the life of every natural philosopher should be, 'Seek simplicity and distrust it.'
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I argue that the resurrection was not the Great Resuscitation. It was a total transformation. I just don't accept the black-and-white thinking that goes along with needing to regard the gospels are literally true.
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There is no first-hand account of what the Queen was saying or thinking, so my job as an actor is to interpret her circumstances.
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Look at the way celebrities and politicians are using Facebook already. When Ashton Kutcher posts a video, he gets hundreds of pieces of feedback. Maybe he doesn't have time to read them all or respond to them all, but he's getting good feedback and getting a good sense of how people are thinking about that and maybe can respond to some of it.
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For 'The Grey Album,' I'd been thinking about the good side of lying - lying as a kind of improvisatory act in black culture. Afterward, it nagged at me because there are those other kinds of lies that I think are all around us, and I was fascinated about hoaxes in general. So 'Bunk' became a natural extension of 'The Grey Album.'
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I enjoy worldbuilding very much. I generally start with an approximation. With 'Flesh and Spirit' and 'Breath and Bone,' because I was thinking of a world on the brink of a dark age, I began with the sense of Roman Britain. But I purposely set the geography to match something other than Britain - which has been overdone.
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It's funny - my wife is more jealous of my books than of other women because I'm always working and thinking about my books.
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When my editor sent me the first two images of Joker's daughter, I was struck by how confident she looked despite her boney appearance and horribly scarred face. So I starting thinking, how did Duela gain such confidence in a world that prizes beauty?
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I like to have songs with me that have substance. That's missing from a lot of today's music. You might hear a song with a catchy beat, but what's it about? It's not empowering or helping anyone.
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You have to make difficult choices in your life, and you just have to be happy with them.
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In the early days, we just wore black onstage. Very bold, my dear. Then we introduced white, for variety, and it simply grew and grew.
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An aria in an opera - Handel's 'Ombra mai fu,' for example - gets along with an incredibly small number of words and ideas and a large amount of variation and repetition. That's the beauty of it. It's not taxing to the listener's intelligence because if you haven't heard it the first time round, it'll come around again.
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There were a lot of times where there was a great deal of fodder recorded and played, because there was a market for it - just as there is today. And there were more bad bands than there were good bands - I think that should always be remembered.
