Wolfgang Beltracchi Quotes
The trick is to paint a picture that doesn't exist, and yet that fits perfectly into an artist's body of work.
Quotes to Explore
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My dad played guitar, and he taught me enough to play some Beatles' songs. But primarily, I was a bookworm. I loved reading and still do. My whole family does. It was part of the family culture. Accomplished literacy was a value.
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We must do our part to end poverty in Korea so that the next generation doesn't experience what we are going through now.
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In every truth, the beneficiaries of a system cannot be expected to destroy it.
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Turquoise is my birthstone; I'm a Sagittarius.
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I was not so interested in night-after-night coverage of Michael Jackson's death or Britney Spears' latest breakdown - topics that were 'breaking news' at the time.
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The differences between friends cannot but reinforce their friendship.
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Industrialization starts with the formation of capital - it does not matter how. It can be created by saving, by the state enforcing its will on the people, by the very rich themselves.
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The 2 million people who work in the NHS and social care are also themselves patients and users. I know they all want to treat patients and users the way they and their families would want to be treated and that is the purpose of our reforms.
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It's my deepest interest as an actor: I love discovering how human beings work, how their flaws reveal themselves - how to learn and grow from that - and how characters teach me things as a woman and as a parent.
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We are known as one of the few truly antifascist families in Munich.
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I've always kept a low profile, and I like it that way.
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I went through a lot of phases and studied many religions. I am not into religion, I am spiritual.
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The State Marriage Defense Act helps safeguard the ability of states to preserve traditional marriage for their citizens.
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When I got the role in 'Homeland,' it really opened something up. Other people respected me more as an actor, doors were opened, and I understood for the first time that it wasn't personal. All that rejection wasn't personal.
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My family is heavily involved in the Marines and close-combat training, and I was raised doing Japanese sword training, so I've always been of the mentality that you have to be able to defend yourself.
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When I was a little girl, my grandfather, who I was very close to, used to grow yellow roses. He had yellow roses growing all the way up his drive.
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Those of us lucky enough to fall in love with Asia know that it's an affair that's as long as it is resonant.
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Audiences are smart, and they don't need to be spoon-fed everything.
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What, however, left a deep impression on me was the reading of the Ramayana before my father. During part of his illness my father was in Porbandar. There every evening he used to listen to the Ramayana.
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You live during the match, and you have strong emotions, but you don't want to get too overexcited. My body's totally flat now. I cannot move anymore. I'm totally exhausted, just because of the tension out there.
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I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
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I've become more and more aware of the promise and struggle to teach the global mind nowadays because I use every chance I get to ask faculty and administrators of management education programs why we don't offer at least one course - not even required, just an elective - on the world's religions.
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There is too much disagreement for disagreement's sake. In a time of persistent challenges that still call into question our most sacred aspirations as a country, we cannot afford shallow callous divisiveness in our public debate.
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The trick is to paint a picture that doesn't exist, and yet that fits perfectly into an artist's body of work.
