Winona Ryder Quotes
There's a scene in the 1990 film Welcome Home, Roxy Carmichael in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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I'm not into the whole showbiz scene.
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Film is anti-language.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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I'm extremely particular how my look should be in a film.
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The film depends on the audience's belief in this relationship.
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Being in a Woody Allen film. I cherish it.
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My name can raise money on a small-budget film.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
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If the money's right, I'll do a film.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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'Saawariya' was my debut film. It will always be the most special film.
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No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.
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All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
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Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
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I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
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Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.
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In 'Maaya,' I'm going shirtless for the first time in my career. My producer requested me to take off my shirt in one of the scenes. I have been working extremely hard to flaunt a perfect body for the scene.
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Acting is what I love to do.I understand the differences between the different formats. But I enjoy whether it be film, TV or in the theater.
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A lot of the time we think finances are immediately linked to experience, opportunities, image, and all sorts of important things that can progress us in life. Sometimes they're not. Finances can be completely irrelevant if you allow yourself to feel like things are going well.
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There's a scene in the 1990 film Welcome Home, Roxy Carmichael in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.
