Winona Ryder Quotes
There's a scene in the 1990 film Welcome Home, Roxy Carmichael in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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I'm not into the whole showbiz scene.
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Film is anti-language.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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I'm extremely particular how my look should be in a film.
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The film depends on the audience's belief in this relationship.
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Being in a Woody Allen film. I cherish it.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
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If the money's right, I'll do a film.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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'Saawariya' was my debut film. It will always be the most special film.
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No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.
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All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
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Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
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I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
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Most of the time I'm thinking, I'm glad that scene was improvised.
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I love to watch low-budget indie artsy films, but I do also love the big blockbuster things. I would love to do that one day, do a Marvel film. That would be really great.
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The benefit of film is that you're shooting something for an intense period of time - and then it's over, and you move on to something else. In TV, you're doing the same thing over and over.
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Now, I'm simply working with people I want to work with. I just want to have good working experiences and let the dice fall where they may.
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There's no point in asking focus groups. I go down the pub and hear about it there.
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The heterosexuality or homosexuality of many individuals is not an all-or-none proposition.
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There's a scene in the 1990 film Welcome Home, Roxy Carmichael in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.
