Walter Millis Quotes
The lucidity of the battle narratives, the vigor of the prose, the strong feeling for the men from generals to privates who did the fighting, are all controlled by a constant sense of how it happened and what it was all about. Foote has the novelist's feeling for character and situation, without losing the historian's scrupulous regard for recorded fact. The Civil War is likely to stand unequalled.
Quotes to Explore
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Dallas is a great city, and it's worth fighting for.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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If I would go up on a high note, Eddie would want a low one. That's how petty the situation had become.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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I have so many other talents other than fighting, and I would love to be able to show those off. I would like to say, 'Yes, I'm a fighter, and I'm this,' or, 'Yes I'm a fighter, but I'm also this.'
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Science, almost from its beginnings, has been truly international in character. National prejudices disappear completely in the scientist's search for truth.
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I had the misfortune of being born in a horrendous situation.
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Sometimes we fall, sometimes we stumble, but we can't stay down. We can't allow life to beat us down. Everything happens for a reason, and it builds character in us, and it tells us what we are about and how strong we really are when we didn't think we could be that strong.
Gail Devers -
You'll be offered the 'lead' in this new hot film with such-and-such A-list director, 'a fabulous part' - a fabulous part? A fabulous part is a character with a soul, who starts here and goes to there, you know? There aren't many of those.
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I think the least stereotypical gay character on television is probably Matt LeBlanc on 'Episodes.' He just plays it so straight-faced. They never talk about the fact that he's such a huge gay person.
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The interesting thing about my character Sylar is that my strengths as an actor seemed to go completely against the shape of a character in the shadow.
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For me it's even more interesting, because my character comes out of the shadow. It's a chance to really act emotionally, because the situation is an extreme one.
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I never personalize anything because I think that can be dangerous. For me, the best way is - this may sound pretentious - but it's to breathe the character and get into the psychology of it.
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I get the celebrity game now - you can go from being hot to fighting to be seen.
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It's just a really cool deal to be a character in 'WWE 2K17.' Whether it's competing on Nitro or Halloween Havoc, to have me as an available character... it's a tribute.
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I've been fighting the best guys, so I would like a gimme fight.
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When I wrote a gay character, I spent six months asking questions I've never asked a gay friend, the questions you don't ask just because you don't have the right to do it.
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The packaged food business environment is very Darwinian. You're fighting for survival every year; you evolve and grow or you die. It's really that simple.
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To retire is to begin to die.
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Many people, many girls have tried to teach me the rules to football. And you would think that it would get in my head that way, but I just don't understand it.
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Nobody would say the cowshed was heaven and nobody would say the inhuman torture of so many victims be called a revolution of the proletariat. ... A museum should be established to remind China of the follies and disasters that had fallen from 1966 to 1976. We cannot forget what had happened and history should not repeat itself.
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The lucidity of the battle narratives, the vigor of the prose, the strong feeling for the men from generals to privates who did the fighting, are all controlled by a constant sense of how it happened and what it was all about. Foote has the novelist's feeling for character and situation, without losing the historian's scrupulous regard for recorded fact. The Civil War is likely to stand unequalled.
