Nash Grier Quotes
Quotes to Explore
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If you want to steal a base, steal a base. Don't make the hitter swing at a bad pitch trying to protect the runner.
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If you love attention and have a pretty decent voice, that's a pretty good combination.
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Whatever you want to do in the industry, do it on the smallest level at first. If you want to be a writer, write a screenplay in your house. If you want to be an actor, put on a one-man show. If you want to be a stand-up comedian, go to an open mic.
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I get motivated by the fact people are following me, that they want a photo or say 'vamos' or 'Canelo.'
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When readers close the covers on 'Running the Rift,' I want them to understand that it is not a genocide novel but rather a story of hope and rebirth.
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Never met Levinson. Ever. He directed those American Express spots for us for Seinfeld, and I was off on some guest spot that I didn't even want to do... and I got talked into doing it.
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The worst thing would be for a Canada to develop a Hollywood. This is an industry we are going to have to fight to defend. We have to compete now so productions stay here. We don't want entertainment to be like the steel industry.
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I'm a big-city boy. What I like is big cities. It's not just what I like. It's what I write about.
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What happens to a dream deferred? Does it dry up Like a raisin in the sun? Or does it explode?
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I never really wanted kids. I didn't not want them, but motherhood just wasn't something that pulled at me.
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I don't like things like little sandals that look fragile. I like to look strong and commanding.
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A lot of guys go, 'Hey, Yog, say a Yogi-ism.' I tell 'em, 'I don't know any.' They want me to make one up. I don't make 'em up. I don't even know when I say it. They're the truth. And it is the truth. I don't know.
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I don't worry too much about the script, I just ad lib, like Pearl Bailey.
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Hunger and homelessness aren't things we always want to talk about.
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I want to go down in history.
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There is only one thing keeping us from having heaven on earth: we can't believe it! Why? Because we don't want to be wrong - so we'll be right and make it hell!
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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I wouldn't dream of working on something that didn't make my gut rumble and my heart want to explode.
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If there's a clear genocide somewhere, don't we really want to positively impact that kind of a situation? Isn't that what we're all about? Isn't that what we've always been about?
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When you're in a relationship you want it to work. My parents did, I did. But we are not taught how to make it work.
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It'll be interesting to raise kids in New York City. I'm from suburbia, so I don't really have any experience with what it's going to be like here.
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If 10 years from now, when you are doing something quick and dirty, you suddenly visualize that I am looking over your shoulders and say to yourself: 'Dijkstra would not have liked this', well that would be enough immortality for me.
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In the India I was growing up in, history wasn't really a wise career option. People would joke and say, 'History's okay, but what's your actual job?' I didn't come from a privileged background and couldn't afford to be irresponsible, so I did the pragmatic thing and did a MBA.
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I like being the center of attention. I want to be in the limelight, basically.
