Kate Christensen Quotes
Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
Quotes to Explore
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I think Freud is about contamination, but I think that is something he learned from Shakespeare, because Shakespeare is about nothing but contamination, you might say.
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Of course people think Washington is arrogant. It is.
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People tweet before they think, and it becomes obsessive.
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I think people do their bravest work when given an elusive canvas. That would be seemingly the weirdest, but also the most wonderful.
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I think a British icon is someone who conducts themself with real dignity: someone who is truly talented and modest. These are things that I would aspire to in my career.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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A confident woman is a sexy woman, in my opinion. And I think guys find that to be the same way.
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The moment you sense someone is making something because they think people are gonna buy it or like it, it's just so phony! The public has a nose for phony like nobody else.
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People have told me that they cannot put down 'If I Stay' after reading it, and readers have become very invested in the love story between Adam and Mia.
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My own tastes happen to be in tune with what the public wants. I think that's the reason my batting average is so high, not because I've discovered some brilliant formula.
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I think I was dealt a good hand. I have happy genes.
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Music is really nothing if you think about it - it only becomes something when somebody listens to it. And then it becomes uncontrollable.
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Anyone who has ever looked into the glazed eyes of a soldier dying on the battlefield will think hard before starting a war.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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Read over your compositions, and when you meet a passage which you think is particularly fine, strike it out.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change; until we notice how failing to notice shapes our thoughts and deeds.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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I learned a long time ago in Hollywood that the only person I should vote for is myself.
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For 100 m., you have to go out fast but also bring it back, so we've been doing a lot of work on the back-end speed.
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It's so funny, actors usually have a directing ambition. I've got no ambition for directing.
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A team will always appreciate a great individual if he's willing to sacrifice for the group.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
