William Faulkner Quotes
Quotes to Explore
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I can't say anything I don't love about Seattle.
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As a kid, I kind of spent my life being amazed by being tricked. I love being tricked. I still love it today.
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Suffering passes, while love is eternal. That's a gift that you have received from God. Don't waste it.
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Hope is one of those no-win-no-fee things, and although it needs some encouragement to survive, its existence doesn't necessarily prove anything.
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If you desire to be pure, have firm faith, and slowly go on with your devotional practices without wasting your energy in useless scriptural discussions and arguments. Your little brain will otherwise be muddled.
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If love is the treasure, laughter is the key.
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Love is the funeral of hearts.
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You have to trust your kids. They have to experience life, and you just hope you've provided them a foundation for what's right and what isn't.
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Majesty and love do not consort well together, nor do they dwell in the same place.
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I would love to work with Jack White or Kanye West.
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My biggest style inspirations come from the '90s. I'm really inspired by TLC, Janet Jackson, and designers like Jeremy Scott. I'm hugely inspired by Club Kids from New York back in the '90s. I'm inspired by the drag queen scene. Combat boots and the torn off jeans and a baggy shirt - I love that look.
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Love always ends differently and it always begins differently - especially with me.
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If you go to a movie and it's a great experience, the experience at the end of it is always like this sadness that it's over, that your time with these characters is finished. There's almost like an achy feeling that I have when I go to a movie that I love and it ends.
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I don't think I can play a role without falling in love with something about her; even the most despicable people who I have portrayed had some aspect of them which I found beautiful.
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I see when men love women. They give them but a little of their lives. But women when they love give everything.
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The actors that I love to work with, they're hard on me. They're pushing me.
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If you desire ease, forsake learning.
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I liked the idea of creating a new pop-culture, folkloric hero character that I created with 'Django' that I think's gonna last for a long time. And I think as the generations go on and everything, you know, my hope is it can be a rite of passage for black fathers and their sons. Like, when are they old enough to watch 'Django Unchained'?
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I don't work with Sia every day; it depends what we do, whether we do performances or music videos, so the schedule is weird, but when we're off, we always try to see each other in between. We just hang out; we went to brunch one time, but for the most part I go to her house, and we eat and watch TV.
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It takes 20 years to build a reputation and five minutes to ruin it. If you think about that, you'll do things differently.
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The Company of Wolves is about how society teaches young women to look at themselves, and what to be afraid of. It's about a girl learning that the world of sensuality and the unknown is not to be feared, that it's worth getting your teeth into.
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Love in the young requires as little of hope as of desire to feed upon.
