Rachel Bilson Quotes
I know of my sex appeal. I know about sexuality, and I know how to use it - tastefully, of course.
Quotes to Explore
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With a first season, you never really know how viewers or the network are going to react to a show.
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Qatar has funded and helped arm ISIS. They also, as we all know, fund Hamas. That's got to stop. And we've got to use our pressure against that country to knock that stuff off.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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This I know; the spirit of Man cannot be stopped.
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I don't know how many more times I'll be in New England again. But I leave coach Belichick and those guys with a salute: 'I love you guys. I miss you. I'm out.'
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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Anyone who knows anything of history knows that great social changes are impossible without feminine upheaval. Social progress can be measured exactly by the social position of the fair sex, the ugly ones included.
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I'm a collaborator. I know I don't know everything. I don't want to know everything.
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Life histories tell you just about everything you need to know about an animal.
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They didn't even like Margaret Thatcher but at least there was Margaret Thatcher. There have been women, you know, Sonia Gandhi for heaven's sakes in India.
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Women have to be active listeners and interrupters - but when you interrupt, you have to know what you are talking about.
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I don't talk about success. I don't know what it is. Wait until I'm dead.
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Readers of novels often fall into the bad habit of being overly exacting about the characters' moral flaws. They apply to these fictional beings standards that no one they know in real life could possibly meet.
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People tend to think that numbers are quite objective, but numbers in economics are not like this. Some economists say they're like sausages: you don't know what they really are until you cut into them.
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I don't know which is more discouraging, literature or chickens.
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Finally, in my critique of the immigration image of America, it is also important to know that we're not only a nation of immigrants, but we are in some part a nation of emigrants, which often gets neglected.
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For me, the music dictates the melody. Give me a riff to sing over, you know?
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I take a script and mull over it and underline the bits I want to emphasize. When I go to the set, I know exactly what I want to do.
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Only the dead will know the end of the war.
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For years, copying other people, I tried to know myself. From within, I couldn't decide what to do. Unable to see, I heard my name being called. Then I walked outside.
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But most Canadians have recognized to a greater or lesser extent that despite much of the so-called progress of the affluent society, essential ingredients to a meaningful life seem to be either entirely lacking, or at best, difficult to grasp.
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I know of my sex appeal. I know about sexuality, and I know how to use it - tastefully, of course.
