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What one does in one's art, that is the breath of one's being. What one does in one's life, that is a bagatelle for the outsiders to fuss about.
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Paris was sad. One of the saddest towns: weary of its now-mechanical sensuality, weary of the tension of money, money, money, weary even of resentment and conceit, just weary to death, and still not sufficiently Americanized or Londonized to hide the weariness under a mechanical jig-jig-jig!
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Marriage and deathless friendship, both should be inviolable and sacred: two great creative passions, separate, apart, but complementary: the one pivotal, the other adventurous: the one, marriage, the centre of human life; and the other, the leap ahead.
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For God's sake, all of you, say spiteful things about me, then I shall know I mean something to you. Don't say surgaries, or I'm done.
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Only at his maximum does an individual surpass all his derivative elements, and become purely himself. And most people never get there. In his own pure individuality a man surpasses his father and mother, and is utterly unknown to them.
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If you cut a thing up, of course it will smell. Hence, nothing raises such an infernal stink at last, as human psychology.
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The trains roared by like projectiles level on the darkness, fuming and burning, making the valley clang with their passage. They were gone, and the lights of the towns and villages glittered in silence.
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That is almost the whole of Russian literature: the phenomenal coruscations of the souls of quite commonplace people.
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That was the birth of sin. Not doing it, but KNOWING about it. Before the apple, [Adam and Eve] had shut their eyes and their minds had gone dark. Now, they peeped and pried and imagined. They watched themselves.
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I will wait and watch till the day of David at last shall be finished, and wisdom no more fox-faced, and the blood gets back its flame.