Samuel Lover Quotes
Quotes to Explore
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Women often have a great need to portray themselves as sympathetic and pleasing, but we're also dark people with dark thoughts.
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You should never say 'D'Brickashaw' and 'bust' in the same sentence. You should never even think that. It should be D'Brickashaw, Pro Bowl, D'Brickashaw, Jets, Super Bowl.
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Mum and Dad were very much friends and up for life. There was no anxiety for anything when I was growing up; they just taught me to be me.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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If you keep saying things are going to be bad, you have a good chance of being a prophet.
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I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes. So now our department is the worst department, partly because it has the worst facilities.
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The really wonderful thing that happened to me when I was in space was this feeling of belonging to the entire universe.
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I had a wonderful mother who wanted my sister and me to have everything, even though money was a very prominent thing we didn't have. But we had a very happy childhood - pretty much ideal, in fact.
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I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.
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More than anyone else, Hank Aaron made me wish I wasn't a manager.
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I saw stars like Helen Hayes, Maurice Evans, Tallulah Bankhead and Cornelia Otis Skinner. It was enchanting. I knew that was the world I wanted to be in.
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I like Noah from 'The Notebook.' One - hundred percent. I fall in love with him so hard.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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It wasn't my dream to make music. It was just something I ended up doing, and no one said stop.
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Twenty20 is cricket on speed. In an era of hectic lifestyles and falling attention spans, it gives spectators more drama and intensity in three hours that they would get from a whole-day match. And even though it is a heady cocktail of money, entertainment and media, at its core it is cricket.
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When kids are met with the highest expectations and given the extra supports they need, they can be as motivated as kids anywhere.
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I am a self-critical perfectionist.
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Life is an adventure, it's not a package tour.
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Wherever I am, it's a really good feeling to have that connection to people. I love to go out to talk to people and be with folks. I don't shy away from it.
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I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
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When it was my turn, I just skated out and heard this huge cheer. It was very touching considering the bad circumstances under which I had left the team and that I had been away for four years.
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One of the nice things about acting is that it allows you to open up to the other people within you.
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Come live in my heart, and pay no rent.