Samuel Lover Quotes
Quotes to Explore
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Women often have a great need to portray themselves as sympathetic and pleasing, but we're also dark people with dark thoughts.
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You should never say 'D'Brickashaw' and 'bust' in the same sentence. You should never even think that. It should be D'Brickashaw, Pro Bowl, D'Brickashaw, Jets, Super Bowl.
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Mum and Dad were very much friends and up for life. There was no anxiety for anything when I was growing up; they just taught me to be me.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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If you keep saying things are going to be bad, you have a good chance of being a prophet.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes. So now our department is the worst department, partly because it has the worst facilities.
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The really wonderful thing that happened to me when I was in space was this feeling of belonging to the entire universe.
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I had a wonderful mother who wanted my sister and me to have everything, even though money was a very prominent thing we didn't have. But we had a very happy childhood - pretty much ideal, in fact.
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I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.
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More than anyone else, Hank Aaron made me wish I wasn't a manager.
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I saw stars like Helen Hayes, Maurice Evans, Tallulah Bankhead and Cornelia Otis Skinner. It was enchanting. I knew that was the world I wanted to be in.
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I like Noah from 'The Notebook.' One - hundred percent. I fall in love with him so hard.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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It wasn't my dream to make music. It was just something I ended up doing, and no one said stop.
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Twenty20 is cricket on speed. In an era of hectic lifestyles and falling attention spans, it gives spectators more drama and intensity in three hours that they would get from a whole-day match. And even though it is a heady cocktail of money, entertainment and media, at its core it is cricket.
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When kids are met with the highest expectations and given the extra supports they need, they can be as motivated as kids anywhere.
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I am a self-critical perfectionist.
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I was asked to model but I never took up the offer.
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Great leaders have a heart for people. They take time for people. They view people as the bottom line, not as a tool to get to the bottom line.
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Doing a song that's sassy but kind of has that little flair to it, it's very me.
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I got really hooked on this riff in the middle of this song called 'Minor Miracles' by my friend Eric Johnson from Fruit Bats. I got the tracks for that from him, and that turned into 'Here in Spirit.'
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Self-sabotage is the proverbial hammer over the head that finally wakes us up, demanding that we pay attention. For most of us, it takes something devastating to crack us open, to get us out of our minds and into our hearts.
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Come live in my heart, and pay no rent.
