Ram Charan Quotes
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stage and film are just two wildly different animals. Why compare the two?
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But the process of making a film is not glamorous. Certainly not my films.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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Film has played such a big part in my life, in my impressions of the United States.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Suspicion is one of the morbid reactions by which an organism defends itself and seeks another equilibrium.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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The film depends on the audience's belief in this relationship.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Being in a Woody Allen film. I cherish it.
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There's a thing I really mind hearing, when someone says: "That's not my kind of film, I don't want to go and see that..." I don't believe that, I don't believe that it's possible to write off a whole genre of filmmaking - "oh I don't like subtitled films", or "I don't like black and white films", or I don't like films made before or after, a certain date" - I don't believe that.
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Television in the 1960s & 70s had just as much dross and the programmes were a lot more tediously patronising than they are now. Memory truncates occasional gems into a glittering skein of brilliance. More television, more channels means more good television and, of course, more bad. The same equation applies to publishing, film and, I expect, sumo wrestling.
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Every day it seems more likely that we are destined - or should one say doomed? - to replay the disastrous economic history of the 1930s.
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Protectionism is a very real danger. It is understandable that in times of a severe downturn protectionist pressures mount but the lessons of history are clear. If we give in to protectionist pressures, we will only send the world into a downward spiral.
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When we used the small-faced racquets and wood racquets, we had to use every part of the court.
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'Magadheera' is a lovely film which can't be recreated.
