Ziad K. Abdelnour Quotes
Behind each person is an utter mystery, supreme value. The more we recognize this the better we ALL get.
Quotes to Explore
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As for advice for aspiring authors, the best I can give is to be brave. It sounds like a simple enough thing, but it's not. Rejection is such an integral part of this journey, and it never goes away.
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It's such an overused phrase: 'to be part of the conversation.' But it's true. It is nice to be part of the conversation - just be sure they are talking about you in the right way.
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My mother was against me being an artist. She just wanted me to marry a rich man.
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By now, you've probably caught on to something: my mother is always standing by with just the right Scripture or inspirational saying to get me through any tough situation.
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There are so many elements that make a good film. You need a great director who's driving it.
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If you're feeling blue, lock yourself in a room, stand in front of a mirror, and dance - and laugh at yourself and be sexy. Dance the silliest and ugliest you've ever danced. Make fun of yourself and try to recover your sense of humor.
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In metros, girls are very independent, conscious and aware. But in the interiors of our country, where education is not given importance, they continue to be oppressed. But it is important for every woman to acknowledge what she wants from herself rather than going for what people expect from her.
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I like men with some belly who are a little over the hill.
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Most fears are basic: fear of the dark, fear of going down in the basement, fear of weird sounds, fear that somebody is waiting for you in your closet. Those kinds of things stay with you no matter what age.
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People do not decide to become extraordinary. They decide to accomplish extraordinary things.
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Finding your place as an artist is the hardest thing. You come out of college with what feels like a Mickey Mouse degree that qualifies you for nothing in the real world.
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Not since the Depression has the state been this dry, have our rivers been this low, our water table this low, and our reservoirs this low.
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My advice to female directors is not to wait until you feel like your ideas have been pre-certified or until you think you've gotten some approval for them. Then it's too late! Follow your gut. That's hard to do, but the only way to be original.
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I tend to follow a scattershot approach to reading a lot of very diverse subjects interest me, and I'm quite happy to read stuff on any of them.
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The three hundredth anniversary of the Salem witch trials of 1692 comes at a time when witchcraft commands a scholarly attention that would have been puzzling in 1892 or even in 1792.
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I think the older you get, the more 'let's cut to the chase' you get, 'let's quit quibbling about this, let's tell it like it is.'
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Think about it: if the world could see how much adoption means from a cat's point of view, shelters would be empty.
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The hours Facebook users put into their profiles and lists and updates is the labor that Facebook then sells to the market researchers and advertisers it serves.
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I'm really go-with-the-flow, but I take things really seriously. At the same time, when things don't go my way, I don't ever freak out. Why? Why freak out?
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I find that with period pieces, you're sort of able to really take advantage of what's around you because prop-wise, wardrobe-wise and location-wise, it's all so specific due to that time.
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I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating the soul. The value of the poem is in the ratio of this elevating excitement.
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I'm all for stage diving, but just don't step on my pedals.
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We are neither this way nor that; we are a body which is in the midst of change and evaporating. We are timeless, thousands of years old, and involved with processes which go beyond our present identity. This gives us an eternal feeling, but one which is realizable right here in the moment.
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Behind each person is an utter mystery, supreme value. The more we recognize this the better we ALL get.
