Collin H. Woodward Quotes
Not merely what we do, but what we try to do and why, are the true interpreters of what we are.

Quotes to Explore
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I want to be a poet and have a chance to explore that and let people know what's really on my mind.
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The Heartbleed problem can be blamed on complexity; all Internet standards become festooned with complicating option sets that no one person can know in their entirety. The Heartbleed problem can be blamed on insufficient investment; safety review for open source code is rarely funded, nor sustainable when it is. The Heartbleed problem can be blamed on poor planning; wide deployment within critical functions but without any repair regime.
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I'm the only Mauritanian filmmaker so it wouldn't make sense to make a film in France. I could shoot outside of my own country if the story was something that called for it. Africa really has to be the reason for me to make a new film.
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If ever there was a holiday that deserves to be commercialized, it's Halloween. We haven't taken it away from kids. We've just expanded it so that the kid in adults can enjoy it, too.
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The production pushes and pulls you as much as the song does. It's almost more to do with the production value of how each bit was done as opposed to the actual track itself.
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You're always looking to make it a bit fresh. I want to make sure people are constantly surprised and interested, and we're always talking to the directors about that. It's a big challenge to find people that can do it.
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I do have an afro. I love my ‘fro … I just feel more comfortable like this. I think it goes more with my personality.
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There is an art to wrestling, and there is a need to do it right. Cody Rhodes exemplifies all the right things.
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In proportion to its power, Protestantism has been as persecuting as Catholicism.
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I'm meeting my obligations, somehow, always have, without ever truly working, without ever putting my shoulder to the wheel for the man. Of course I had to deal dope to do this!
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Cyberspace is the human transition into a mathematical super space where we as a collectivity become optionally a single point of view.
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If a country were not worth protecting, it was not worth claiming.
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The art of knowing is knowing what to ignore.
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I don't want to live in an ivory tower, being the songwriter who just turns inward.
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I've been working with Pat Robertson on Africa debt-relief, and we disagree on virtually everything except certain very specific, inalienable rights, and the truth is that morality and patriotism come in all shapes and sizes.
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When I set out to write 'Sanctus,' all I wanted to do was craft a piece of high quality entertainment.
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Not merely what we do, but what we try to do and why, are the true interpreters of what we are.