Yayoi Kusama Quotes
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I never have a plan of what I am going to draw.
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When I paint, some things come out, and I don't know. Maybe it's because I have such talent as a painter.
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I love Damien Hirst. I respect his work a great deal, and I am happy that the polka dots I started using have become a symbol of love and peace around the world with everybody joining hands to use them in this way.
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Since my childhood, I have always made works with polka dots. Earth, moon, sun and human beings all represent dots; a single particle among billions.
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Georgia O'Keeffe proposed that I live with her. She was in New Mexico then, and I wanted to be in New York.
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I have been taking every step toward the future every day through making many paintings and sculptures with my deep emotion hidden in my life.
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The country of Britain is wonderful because of its royalty.
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A polka-dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm. Round, soft, colourful, senseless and unknowing. Polka-dots can't stay alone; like the communicative life of people, two or three polka-dots become movement... Polka-dots are a way to infinity.
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I would like to try harder to establish my thought and philosophy strongly and to go back to the universe with my love.
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In my home country, there was a little shop with old books, but it was really in the countryside. You couldn't find English books. I found this very avant-garde American art book that had information about Georgia O'Keeffe. I was very much impressed by her.
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I have been struggling with mental illness and emptiness throughout my life. Now I want people to understand my glorious quest for the truth. Working on paintings is a process toward my artistic creation. It is a new spiritual theme of my whole philosophy for pursuing the truth. Each painting represents a process in all of my art.
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If there's a cat, I obliterate it by putting polka dot stickers on it. I obliterate a horse by putting polka dot stickers on it. And I obliterated myself by putting the same polka dot stickers on myself.
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New York is the place that made my and other artists' dreams come true by giving us a chance to realise our ideas and concepts. It was a great place for making a presentation of artistic creation.
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I was in the U.S. about 15 years. Especially in New York. And then I came back to Japan.
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I have done all the work myself, not assistants. That's why I'm in a wheelchair: I've been doing it physically - it's hard labour - throughout my life.
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I have a flood of ideas in my mind. I just follow my vision.
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I hope royalty continues forever. This is the thing that can contribute to peace throughout the world.
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I am putting every effort toward creating my works from morning till night on every single day.
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I have been using polka dots since I was a very young child. Only after that, it seems, have they been used throughout the rest of the art world.
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People ask about art and commercialism. I think that if someone tries to sell their work at a high price, that is the wrong way of doing it.
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I fight pain, anxiety, and fear every day, and the only method I have found that relieves my illness is to keep creating art. I followed the thread of art and somehow discovered a path that would allow me to live.
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You know, I must really work hard. I'm in the last stage of my artistic life. But I'm so busy that I can't even think of dying. I fly all over the world, drive everywhere, and when I get home, I find interviewers and photographers and TV shows waiting for me. No wonder I'm so busy.
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The thought of continually eating something like macaroni, spat out by machinery, fills me with fear and revulsion, so I make macaroni sculptures. I make them and make them and then keep on making them, until I bury myself in the process. I call this 'obliteration.'
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I have a large number of enthusiastic admirers of my art. And they all sing a hymn in praise from the bottom of their hearts for my art.