Gary Kemp Quotes
The greatest influence came from the television and the proliferation of magazines that included contents on pop groups. I believe that at the end of the 1970s, like is happening now, pop and rock were practically separated in the eyes of the public and critics, who considered the first more frivolous and easy and the second more serious and prestigious.
Quotes to Explore
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I worked on 'Game Of Thrones' for six years, so I'm very well equipped to handle hype surrounding television shows.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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Why should people go out and pay money to see bad films when they can stay at home and see bad television for nothing?
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I have this phobia: I don't like mirrors. And I don't watch myself on television. If anything comes on, I make them shut it off, or I leave the room.
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What I didn't want to do is get into a ratings race with television because really, for them, it matters. For me, it doesn't.
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HBO and I have a deal to at least try to make a television series from the Leonid McGill stories. We're going to start with the first novel, 'The Long Fall.'
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No press, no television. If my mom calls and says, 'Did you hear about?' I don't want to know nothing about anything that is going on in relation to music. I shut it all off.
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I want to make something that's respectful and respected. And I think you can make something for women that is respected on television.
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I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.
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I don't feel I fit in with morning television because I'm like a vampire and I like to stay up late.
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When you use the word 'fair' in television, you're already in a fantasy world. Nothing is really fair in television.
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There are so many songs that I could not sing the way I wanted to. When such songs come on television or radio, I shut them off or leave the room.
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The greater part of critics are parasites, who, if nothing had been written, would find nothing to write.
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Television doesn't like politics very well, if you can infer that from the way they cover it.
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My interests are not really with television, per se.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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My job is to notice echoes and notice resonances. Scientists are not supposed to do the same thing that cultural critics do.
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Getting into television was a total fluke.
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The process of writing can be a powerful tool for self-discovery. Writing demands self-knowledge; it forces the writer to become a student of human nature, to pay attention to his experience, to understand the nature of experience itself. By delving into raw experience and distilling it into a work of art, the writer is engaging in the heart and soul of philosophy - making sense out of life.
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Any jackass can kick down a barn, but it takes a good carpenter to build one.
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Russian people really don't like it when somebody does horrible things in Russia, and then can calmly go travel to another country and spend time there. And this is what needs to be done: the Russian people need to be told this, because in today's world, just doing something is not enough. You've got to tell about it, too. If you've done something and haven't told about it, it's as good as if you hadn't done it at all.
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If we talk about changes of power in Russia, that has occurred several times in the past century. After Stalin came Khrushchev, who implemented his legacy quite radically, one could say. But there was no blood, nonetheless. After Brezhnev came Gorbachev. I'm not talking about the ones who were in power for only a short period of time. Gorbachev, too, left a very radical legacy.
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The greatest influence came from the television and the proliferation of magazines that included contents on pop groups. I believe that at the end of the 1970s, like is happening now, pop and rock were practically separated in the eyes of the public and critics, who considered the first more frivolous and easy and the second more serious and prestigious.
