William Boughton Quotes
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take someone else's art and have your way with it. You've got to be respectful of them.
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I have an issue with rage. I'm going to work that out, long term.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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Usually when you're working is when people want you to work. They don't want you as much when you're not working. That's the frustrating nature of our business.
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I have a really beautiful life right now, so there is no reason to be hostile. I'm a husband, a father and a man who tries to do the right thing in life and in my work.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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I'm smart enough to know to work with smart people.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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The reason why I'm a conservative is because conservative policies work and they improve opportunities. They are the avenue for climbing the economic dream.
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When people recognize your work and want to reward you for what you've done, that's a good feeling.
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When I diced vegetables, it was painstaking work to make sure that every single piece looked the same: 1/4-inch cubed for small, 3/4-inch cubed for large. It's a matter of practice and precision.
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You can't live in a dialect without tremendous work. Like any muscle, accents and voices and languages are all formed out of the muscles that we have in our mouths and faces and tongues.
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The reader has to be creative when he's reading. He has to try to make the thing alive. A good reader has to do a certain amount of work when he is reading.
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I much prefer touring to anything else. Studio work is great, and can be hugely satisfying, but live work has the excitement and the lifestyle that I love.
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I've always loved fashion and, of course, enjoyed my experiences walking on runways, but I love watching the shows as well! Now I understand more why it's such a big deal for the industry and why people work so hard before and during fashion weeks. It's interesting to see the same things from a different angle.
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It's not blaming the victim. It's not anybody's fault. They just did something that didn't work, that's all.
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To pay attention, this is our endless and proper work.
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A legacy for me is being a piece of the soundtrack of someone's life.
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I never drove a car in my life. Given my drinking habits in those days, I would have been dead a long time ago - stumbling out of a bar at 4 a.m. and getting into a car.
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My feeling is that if all Catholics or Reformed Christians had been deported to Germany, the Dutch government in London would have instructed the population in the occupied Netherlands to help them.
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But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
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Don't impose yourself until you really know the work throroughly.
