Brad Soderberg Quotes
It makes a statement we're serious about becoming a player on the national level. I would have liked it to have been done two years ago, but that's OK. We can finally say we're going to have a groundbreaking ceremony. I'm so excited.
Quotes to Explore
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I've always thought of myself as a character actor, even though I've played some leading-man roles.
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Too many companies think they want to do a video blog to sell merchandise, but if you turn your site into QVC, you lose. I have an audience that trusts me. It's about building a global brand - not selling four more bottles of Pinot Grigio.
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If my client calls me and says, 'I'm going to a friend's premiere,' I'll say, 'Come over and let's do something cute.' And I won't bill them for that.
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You get very possessive about characters, you feel you can see it in your mind and you want to play it.
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London has the advantage of one of the most gloomy atmospheres in the world.
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To me an unnecessary action, or shot, or casualty, was not only waste but sin.
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I think when you start analyzing trends and start making shows for a particular audience, you are making a fatal move. I think that's why people are doing too many revivals, that's why there's a plethora of rock musicals. There's room for everything, but not room for too much of anything.
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I take stuff because I'm inspired by it.
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Four hundred is a lot. When I was young, I remember Kapil Dev getting it, and it was quite a big thing. An Indian had taken it. I feel honoured and proud that God has given me a chance to reach 400 wickets. It's a big thing for me; I don't know about others.
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I wore a mullet to the Grammys! I have no fear.
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It's very intense to go back to the past and revive work that I've already experienced and moved forward from. It's like seeing an old girlfriend - awkward at times, nostalgic at times and downright maddening and embarrassing.
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I look at the film as an opportunity to see some bountifully creative minds do something that I could not do - tell the story with images. I can't wait to see what they do.
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Concordia discors.
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I've seen 'Pride and Prejudice' about 4,000 times. I'm not joking: I know every single line.
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One of the things I have always said about the man-woman relationship is that I don't want anybody to walk ahead of me, and I don't want anybody to walk behind me. I want a man who will walk along beside me. And that's how I feel about equal rights.
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We bought an apartment building and were going to live off the rent money. We rented to people who were on welfare and a lot of times they couldn't pay the rent. We wouldn't throw them out so we lost the building.
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Every field piece I did on 'The Daily Show' was a story that lasted five to six minutes. We had a protagonist, we had an antagonist and often put them at odds. We knew the story we wanted to tell before we went in, and often it was about plugging whatever character you have - in this case, a real person - into said part.
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Some of my biggest friends are big-time horse owners.
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They draw back into themselves, and are thrown back on their own bodies for gratification. The men become narcissistic and uncertain of the power of any woman, no matter how strange and beautiful, to arouse their desire, but the women remain continually receptive to male advances.
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But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment.
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To begin impatiently is the worst mistake a writer can make.
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I think it's perfectly possible for us to stay outside of power politics, or parliamentary politics, and speak about things like the American hegemony in the region or speak about the unjust war on terror that's been brought to our borders.
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It makes a statement we're serious about becoming a player on the national level. I would have liked it to have been done two years ago, but that's OK. We can finally say we're going to have a groundbreaking ceremony. I'm so excited.
