Eileen Collins Quotes
Quotes to Explore
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I completely get the drag thing.
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I don't really care that much about eating. But I like impressing people with how good a cook I am. So I will cook. I'm an excellent cook. Not many people know that about me.
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I left Beijing in 1987, shortly before my books were banned there, but have returned continually.
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How are we doing in the electronics field as opposed to, you know, we hear how advanced the Japanese are? Do you think we're still pretty competitive? Oh, yes.
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Obviously Hall & Oates wasn't overlooked by the masses in terms of the record sales.
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If you've got a plot the size of a car or a tiny yard in Italy, you're going to be growing tomatoes and basil and celery and carrots, and everybody is still connected to the land.
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Both villains and heroes need to have a steadfast belief in themselves.
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Weeks go by, and I don't talk to another living soul.
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I'm by no means condemning prescription medicine for mental health. I've seen it save a lot of people's lives.
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I hated my big hair. I always wore it straight.
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Unlike Milan, Italy's banking capital, or Rome, its religious center, Florence was the place where the rich went to buy goods that would showcase how wealthy they were.
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In '87, I used to do this awful, awful James Brown impression.
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I believe in music.
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The trick to being a novelist is to act like an iceberg. Make it seem as if you're displaying only one-tenth of what you know, and the other nine-tenths isn't visible and never mind if that part is pure styrofoam!
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Who can love to walk in the dark? But providence doth often so dispose.
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The way that people show me love on Twitter? I don't know man. It's amazing.
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Some people may have their doubts about me. But I feel like there's no shot too hard for me to take.
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I have never wanted a family. I don't believe in marriage, though I obviously believe it should be legal for everyone who wants to do it. But it is not something I believe in, nor do the characters in my book, nor do any of my friends.
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Working on 'The War Room' was a thrill, not only because we were given such exquisite access to the nerve center of Bill Clinton's first presidential campaign, but for me personally, it was so exciting to be producing my first film and working with documentary filmmaking legends D.A. Pannebaker and Chris Hegedus, who were the film's directors.
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I have big hands. I can't do the touch-screen thing. I'm a button guy. I want to press buttons.
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He passes from lyric to epic poetry in order to speak about the world and the torment in the world through man, rationally and emotionally. The poet then becomes a danger.
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With a national plan, we'll have a quick jump-start and an opportunity to save more people
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This is really a chance for us to share what we did on the flight.
