Elaine May Quotes
Quotes to Explore
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All who consult on doubtful matters, should be void of hatred, friendship, anger, and pity.
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I don't think taunting chants at players on the other side of the ice is intended to be sexist in the slightest. It's like when you call a goaltender a sieve, they chant that. Is that now inappropriate also?
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The biggest public mistake I ever made was that I chose to do 'Criminal Minds' in the first place.
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This quality, I mean Geoffrey was with me, was very easy doing - he loved me very much, I loved him very much, and we understood each other so well that it was a pleasure to make music.
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It should take you 15 minutes to make a song, and then get out of there.
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I invested all my money in debt.
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You're always facing the top defenders in this league. To go out there and do your best, that's all you can ask for.
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In the white community, the path to a more perfect union means acknowledging that what ails the African-American community does not just exist in the minds of black people; that the legacy of discrimination - and current incidents of discrimination, while less overt than in the past - are real and must be addressed.
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The way I look at it you can always get better.
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It's not like my old self – I'm not in character anymore, I'm me. I'm not hiding behind that anymore.
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42% of our management team are women. So we've reset the goal to 50% by 2017. Because that's when Westpac becomes 200 years old as an institution - the oldest bank, and indeed the oldest company in Australia. So that's a lovely point to reflect on.
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How many movies do you see when you can say this director really knew what film he wanted to make? I can count them on the fingers of one hand.
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My job was to build, and that's still my job - and I like that better than interviews.
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Al Jazeera is a representation of, you know, diversity in the Arab world. In our newsroom, we have every single nationality, we have every single, you know, ideology, we have every single background. However, when it comes to the screen, we have one code of ethics and one code of conduct.
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I like the feeling of not knowing where to look when you are only performing for one person or watching someone practice. It creates this kind of a strange in-between, which can be mirrored in the feeling of making a painting.
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When I was at graduate school in London, I began working at NBC News, which had a thriving documentary unit.
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I look after my skin quite a lot because in this job, it can get stressful. Pimples come out! I cleanse and moisturize, sometimes do face masks. I've also got a Clarisonic, which is good.
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To give money to a woman - and here I must speak as a man - is to deny her special quality, her irreplaceability, and reduce her unique amiability to a commodity. Money takes away her name, while transforming her lover into a nameless customer of a market of appetites.
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When girls scream my name and start crying, I blush like crazy.
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No one will understand a Japanese garden until you've walked through one, and you hear the crunch underfoot, and you smell it, and you experience it over time. Now there's no photograph or any movie that can give you that experience.
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You're part of the human fabric of experience. You don't have to have cancer to write about cancer. You don't have to have somebody close to you die to understand what death is. Definitely, the more you live, the more experiences fall into your spectrum. As a writer, you must have been told: Write about what you know. But Kafka didn't. Gogol didn't. Did Shakespeare write only what he knew? Our own selves are limitless. And our capacity for empathy is giant.
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The only thing experience teaches you is what you can.
