Vin Diesel Quotes
Quotes to Explore
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The key to winning baseball games is pitching, fundamentals, and three run homers.
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I'm a four-down guy. I can rush the passer and stop the run. I know I can be a difference-maker.
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There is no diplomacy like candor.
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I found one had to do some work every day, even at midnight, because either you're professional or you're not.
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There was something to me that was really compelling about that woman, already knowing she couldn't get pregnant. When I made that movie I was maybe 24, and to be 24 and already know you can't get pregnant, that was really interesting to me.
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I just know you can not be on top forever. There's always going to be the next guy, and if I'm going to go down, I'd like to know I helped the next guy take my spot. You can't prevent the inevitable, but you can join the ship.
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'The Outsiders' cast in particular was a joy to be around - sweet kids, normal goofy teenagers off camera and serious artists on. They were great. I never got them mixed up with the characters, though. Each of them had his own strong personality.
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Still, records are documents of a period of time. Most records are documents of two or three years, and I just approached it as a record I was doing over a 20-year period of time.
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I have only so many foreign-language neurons. When I learned Spanish, that displaced whatever Irish was left, and then I learned German, and that displaced the Spanish, and when I learned Serbo-Croatian, that displaced the German. So I'm a bit of a muddle.
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I'm free - but I'm also not free because there are millions of young people living in Iran. A filmmaker can only do a little.
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When we show up in a city, we ask, 'Where's the best restaurant? What's the best beer?' You start doing that, and you get exposed to a lot of great stuff.
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I believe in the 'Wal-Mart' school of business. The less people pay, the more they enjoy it.
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The common argument that crime is caused by poverty is a kind of slander on the poor.
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I didn't really make up my mind to be an actor until I did 'The Hitcher' with Rutger Hauer. I was about 17 or 18 when I did that, by which point I'd probably done a dozen or more movies or TV things, but 'The Hitcher' was the experience that made me want to study and commit and learn how to do this for my life.
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It is no surprise that companies do not often respond to moral pressure alone. We need to hit them hard in their pocketbook and on their balance sheet. We need to show them that their stock prices will be affected if their actions encourage Iran's nuclear weapons ambitions.
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I don't talk about political matters. That's not my department.
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Human behavior in the midst of hardship caught my attention very early on, and my first stories were all pictures, no words.
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I actually did not have a date to my prom. I ended up taking a friend.
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All cartoonists are linked together in the world - it's our language, one we can communicate in.
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It wasn't until 9th grade that I got into music. This guy in school heard me singing around the hallway to girls and stuff. The girls liked it. One day, he was like, 'Come to my crib. I got a studio. Come and record a hook for me.' I recorded the hook on the 'Lovers & Friends' beat - Usher.
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Any objective look at what science has to say about climate change ought to be sufficient to persuade reasonable people that the climate is changing and that humans are responsible for a substantial part of that - and that these changes are doing harm and will continue to do more harm unless we start to reduce our emissions.
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The alphabet is an aggressive and militant absorber and transformer of culture, as Harold Innis was the first to show. (p. 56)
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I went to art school for fine art and then I started doing performance art, and then I started making fun of performance art, and it turned into comedy.
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I grew up with all kinds of people.
