Fernando Botero Quotes
The only duty an artist has is in the quality of the art. There is no moral obligation to denounce. An artist confronted with a tremendous injustice sometimes feels inclined to say something. Denouncing the situation is the artist's choice.
Quotes to Explore
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People always want to doubt you.
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How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
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Washington and Congress are steeped in history and tradition, and that's been very male-oriented.
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It is literally true that you can succeed best and quickest by helping others to succeed.
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I am young, and I think all young guys would love to play a superhero - any superhero - it doesn't matter. I could be a superhero that would just turn into a big blob or something like that, but I could tell all the ladies, 'Hey, I am superhero!'
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As many of you know I travel a good bit and do not get to see my friends and family as much as I would like.
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When I arrived at Barcelona, I was following a dream, but I now realize sometimes it's better to be content with what you have rather than follow a dream which nearly kills you.
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When I'm in 'Man vs. Wild' mode, it's not pleasure. Every sensor is firing and I'm on reserve power all the time and I'm digging deep - and that's the magic of it as well, and that's raw and it's great.
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When we talk about the minimum wage, we have to ask ourselves what it is that we owe both our workers and employers. I think clearly we owe them fairness.
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Death is not extinguishing the light; it is only putting out the lamp because the dawn has come.
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Small aim is a crime.
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It is totally unacceptable that there are countries with no paediatric cardiac surgeries.
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Over the years, I have realized that there's more to a film's fate than just good acting and a solid script. It needs to be marketed well. It's the package that sells - the songs, action, actors, etc.
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I booked my first series when I was 13. Acting kind of took control because I was just going from part to part at that point.
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When we set out our original program from the beginning, obviously our markets were pretty limited, and we were thinking about them mostly as U.S. shows, and they would travel like other U.S. shows have.
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As investors, we want to believe we are smart, insightful and uniquely talented - even though we often fail to do the heavy lifting, put in the long hours, and make the uncomfortable but necessary decisions to achieve success.
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One of the problems with putting Huck Finn into a movie or on the stage is, you always make the white people stupid and racist. The point is, they don't know they're racist.
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I found L.A. much less responsive to the name Juilliard than New York was. In New York, that name actually means something. People will look up from their desks when you walk in. In L.A. it's, 'Oh yeah, that's a music school. What do you play?'
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I was filled with hate and anger. But during my trial, something decisive happened: Amnesty International adopted me as a prisoner of conscience, and it was an unbelievable feeling to know that there is someone fighting for you on the outside. Amnesty's 'soft' approach made me seriously consider alternatives to revenge.
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I've been watching 'The Cosby Show' and 'Roseanne' a lot right now, and those work so well because they're not, like, jokey comedies; they are coming from real characters. We want our show to be like that. A family show.
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I have - and you gotta believe this - hardly ever met anybody in Hollywood who's not nice. There are some people I don't like, but everybody has been very nice.
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Women particularly can dress modestly and in the process contribute to their own self respect and to the moral purity of men. In the end, most women get the type of man they dress for.
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How many are silenced, because in order to get to their art they would have to scream?
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The only duty an artist has is in the quality of the art. There is no moral obligation to denounce. An artist confronted with a tremendous injustice sometimes feels inclined to say something. Denouncing the situation is the artist's choice.
