Elizabeth Chadwick Quotes
It alters you irrevocably when you reach 30 years old and see a rip in the fabric of your dreams for every one of those years. Suddenly you're threadbare to the world.
Quotes to Explore
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After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures.
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Merlin really taught me how to concentrate, that you play each play as if it were the only play. And if you put all the plays together like that, then you'll come out on top.
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My favorite writers are all Jews - David, Solomon, Matthew, Mark - well, you get the picture.
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In tactics and training, we do more with Conte. We work a lot of tactical positions, and we know exactly what we have to do on the pitch, where I have to go, and where the defenders have to go. We know exactly what to do.
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Most of man's problems upon this planet, in the long history of the race, have been met and solved either partially or as a whole by experiment based on common sense and carried out with courage.
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I've always reverted to a sense of childhood, just in everyday life.
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I'm a professional, and I know what I have to do. I know where I've failed and how I've grown up.
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All I ever wanted to do is to write stories that people will enjoy and feel at home with.
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I am from Karnal, India.
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Vegetarians in general don't like me.
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I have about 4 million Lego bricks. And then a few million in storage in case something comes up. I still pay for them. I buy my bricks just like everyone else. It's by far my biggest capital expense.
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If you happen to start a new country in the 1990s, you have the advantage of drafting new laws with the knowledge that the Internet is out there.
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I am ashamed to run against a lady. It's demeaning, very degrading. I have always refused to argue with a lady.
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I'd had 35 professional fights and mentally I was tired of it. I'd sort ot fallen out of love with the sport.
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The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
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Why do we take pleasure in gruesome death, neatly packaged as a puzzle to which we may find a satisfactory solution through clues - or if we are not clever enough, have it revealed by the all-powerful tale-teller at the end of the book? It is something to do with being reduced to, and comforted by, playing by the rules.
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A scholar who cherishes the love of comfort is not fit to be deemed a scholar.
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When you're in a black group, you have to keep in mind you're not black. You just have to be sensitive. We have to be appreciative that the black nationalist struggle is a nationalist struggle.
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I never felt like there was an unconscious part of me around that woke up or that came out of the closet; there wasn't a struggle, there wasn't an attempt to suppress.
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For my art GCSE, I did a screen print of the Queen's head that was basically an Andy Warhol rip-off, but I didn't realise.
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In the town of broken dreams the streets are filled with regret, maybe down in lonesome town I can learn to forget.
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Our hearts seemed safe in our breasts and sang to theLight - The marrow in the boneWe dreamed was safe. . . the blood in the veins, thesap in the treeWere springs of Deity.
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It alters you irrevocably when you reach 30 years old and see a rip in the fabric of your dreams for every one of those years. Suddenly you're threadbare to the world.
