Bradford Cox Quotes
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I've been going through some personal things that have stirred up a lot of old wounds.
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I don't think it will ever be lessened. Because I always move on to something else - and the music that I listen to, that I ingest, is a lot different than what I put out. I'm always becoming obsessed with the next phase of my musical vocabulary.
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I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
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The Internet nowadays is all sensationalism, and it's just terrifying when you're actually experiencing it as a person.
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I'm not the guy in the dress with the blood and the unrequited gay whatever - which, according to my psychiatrist, my gayness is a form of narcissism but you'll have to ask him about that.
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When I got hit by the car, I became depressed. As a result, I've been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store. I thought it was really dark, and so I tried to interpret it. I've always been interested in writing from other people's perspectives and other gender perspectives.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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Musicians and artists are not... it's not like politicians or something where you can't really affect them. There's not like this separate caste system where it's like, "I'm the musician, you're the audience. Never the two shall meet." It was a case where it was like, "Hey, you know what? I'm on your level, man."
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A song like "Walkabout", it's totally imitative. The goal of that song was to make people happy, and I've never really made a song to make people happy before. I really genuinely wanted people to listen to that song and have their spirits lifted.
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People say 'I don't want to die alone!' But you know what, honestly? I don't want to die with a bunch of people looking at me.
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I've been going through a lot of... stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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You don't need to drink if you have emotional problems.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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I have really low self-esteem, and it's not easy for me to put myself on an album cover.
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Everything I do is 100% automation, which means I'm just doing it live.
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I was only in the public eye because I was annoying. You know how neurotic people may ask for one thing when they may really want another thing? It was like I was asking for attention, but I didn't really want attention.
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I don't know if I have any real aspirations to be an actor. It was just something I was asked to do in sort of a friend way. And I thought, Why not?
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That's what culture is based on, the passing down of a certain narrative by imitation.
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Unlike the rest of everyone I hang around with, I don't drink, so I remember what happened after shows. And I have never hit on anyone after a show, I'm not that kind of person. Even if I was attracted to someone, I'd be too shy.
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When young groups put out albums, they're always forced to go through this cycle of touring and talking and flaunting and posturing and peacocking. Nobody makes me do that anymore.
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A lot of Appalachian music has a certain haunted, foggy feel to it; a certain sinister quality. And that transcends who is singing it. I think it's good if an artist can represent some kind of culture that they either aspire to ignite, or that they themselves experience.
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The sober guy is always going to have this air of arrogance or self-righteousness, but it's not my intention. I just knew that if I drank, I'd have a drinking problem.
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All music is devotional, whether it's devotion to products, face washes, creams, plastic. Everybody is devoted to something.