Brian Henson Quotes
And one of the funnest things was watching what they did before the director called action and after the director called cut. And they'd keep their hands in the puppets, they'd stay in character, and then they'd start goofing around with each other and be off of script, and it would get quite blue.
Quotes to Explore
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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I'm not averse to being a supporting character. I try to pick parts where I can add something.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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I'm happiest when I can just be a director and watch.
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I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me, and I would hate her before I finished ten pages.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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There is a weapon we can fight with. That is the weapon of political action.
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When I was really small, my mother had difficulty keeping me dressed, as I liked to be naked! I definitely had very strong ideas on what I wanted to wear. My favourite look was always Action Man and Spiderman. Now though, I really like beautiful clothes.
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One is made by all the things around one. There are many things that have made one. For a writer to go around looking for things that have made him is asking for trouble. It's like giving a character to yourself. Can't do it. Can't do it. These things are just there. Is that enough?
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At the Norman Invasion, the Saxon thanes were themselves humbled in turn; the manors were given a more legal character and transferred to favourites of William the Conqueror.
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Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent.
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There is a little bit of me in every part I do... I'm not really good enough to completely construct an all-new character.
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Great ambition is the passion of a great character. Those endowed with it may perform very good or very bad acts. All depends on the principles which direct them.
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I don't act in the way other actresses act, in terms of building or creating a character. I don't transform myself into the role, I invest myself in the role.
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I think the least stereotypical gay character on television is probably Matt LeBlanc on 'Episodes.' He just plays it so straight-faced. They never talk about the fact that he's such a huge gay person.
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'Dallas' hit a chord back in the late Seventies and Eighties because it was the age of greed: here you have this unapologetic character who is mean and nasty and ruthless and does it all with an evil grin. I think people related to JR back then because we all have someone we know exactly like him. Everyone in the world knows a JR.
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I am not sure how much good is done by moralising about fairy tales. This can be unsubtle - telling children that virtue will be rewarded, when in fact it is mostly simply the fact of being the central character that ensures a favourable outcome. Fairy tales are not, on the whole, parables.
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I take the work seriously. Which is why I always swing for the fences whenever I voice a character. But that said, I don't take myself all that seriously.
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Those who are politically apathetic can only survive if they are supported by people who are capable of taking action.
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The stronger an agent’s motivation to A is, in comparison to the agent’s motivation for alternative courses of action, the more likely the agent is to A, other things being equal.
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Comics are carried by characters. If a character is well-created, the comic becomes a hit.
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It would be very ungrateful of me to turn my back or stop doing work in Latin America.
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And one of the funnest things was watching what they did before the director called action and after the director called cut. And they'd keep their hands in the puppets, they'd stay in character, and then they'd start goofing around with each other and be off of script, and it would get quite blue.
