Otto Dix Quotes
I had the feeling that there was a dimension of reality that had not been dealt with in art: the dimension of ugliness.
Quotes to Explore
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Everybody is looking for an election where they can do something and participate.
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Emotions come first, and in the most direct sense: you first have an emotion and then have a feeling. But also first in the history of the human race, for the ability to have emotions long preceded the ability to have feelings.
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The reality is that I always envisioned the 'Riddick' franchise as a continuing mythology, so I always imagined that there would be many other films to follow.
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There was a time when I was practicing law in New York and I wanted to find something else to do. So I ended up leaving the practice of law to pursue my art and it just happened to be out of Lego bricks.
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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The history of philosophy is not, like the history of the sciences, to be studied with the intellect alone. That which is receptive in us and that which impinges upon us from history is the reality of man's being, unfolding itself in thought.
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I'm half living my life between reality and fantasy at all times. It's best not to ask questions and just enjoy.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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To get important work done, most leaders organize people into teams. They believe that when people collaborate toward a common goal, great things can happen. Yet in reality, the whole is often much less than the sum of the parts.
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I was a pretty pretentious kid. I was always making art.
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Malicious attacks on the Soviet Union produce a natural feeling of indignation.
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Size matters in fiction, but so does lack of size. Everything else being equal, fat novels tend to be perceived as serious, very thin ones as more honest, more real. Writers address these age-old expectations by filling their big books with philosophy and cramming their little ones with feeling.
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I think it's very hard to find a good friend. That's why I'm so lucky to have two sisters, because they're my best friends, and they have to be with me forever. They're stuck with me.
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People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
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I got a job as soon as I could - 11 or 12. I started babysitting and then I got a part-time job at a pharmacy in England. I just remember loving the feeling of going out and buying my own clothes! I'd go bargain-hunting and get secondhand vintage stuff.
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I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
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Love isn't an emotion or an instinct - it's an art.
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Art and literature should help us to get out of our mental cocoons.
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In today's world, we all live with the burden of feeling that anything is possible if we're only clever enough, smart enough, work hard enough.
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A good comedy with a purpose behind it is exhilarating.
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America glories in its tradition of the self-made individual. Political candidates compete to be a friend to entrepreneurs, and policymakers, imagining the next Microsoft or Google, design laws to back the innovator in the garage.
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I had the feeling that there was a dimension of reality that had not been dealt with in art: the dimension of ugliness.
