Ernst Ludwig Kirchner Quotes
Bloated, one Kirchner himself staggers off to work, where all work is in vain and the onslaught of mediocrity flattens everything. Like the cocottes that I painted, that is how one is now. Wiped out, next time gone.
Quotes to Explore
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I found that I need to work, and I wouldn't have known that if I hadn't taken the time off.
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Human connection is the way things work. It's like a patronage system. You know somebody, and he knows somebody, and he knows somebody, and he knows the district governor, and it's okay.
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I work hard and support myself.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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I work in a very tough area of Britain. There is not much hope sociologically where I live and work, they're all sorts of conditions of poverty and deprivation and so on, I really do believe that the message of the kingdom of God is for places like this.
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I said three things when I woke up in Walter Reed. 'I love you.' 'Put me to work,' and 'You stink! Go shower!'
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The first view of the Earth is magical... in such a small planet, with such a small ribbon of life, so much goes on. It is as if the whole place is sacred. You get the feeling that I need to work extraordinarily hard along with other human beings to respect that.
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Could you let me have the 3 weeks due to me now and if I work again before August I must of course repay you at the rate of exchange you let me have it at now if you kindly will.
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One day, I saw a statue of Benjamin Franklin, and I said to myself, 'I can do that kind of work, too.'
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Chickpeas are one of my favourite things to serve with chorizo or lamb meatballs; they also work brilliantly as the quiet partner in a vibrant alphonso mango salad.
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What I learned from architectural drafting is that everything has to have a plan to work. You just can't wing it. I can't get all the materials I need for a house and just start building. Whether it's a career, family, life - you have to plan it out.
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I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
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We know from many experiences that this is what the work of art does: its life - in which we have shared the alien existences both of this world and of that different world to which the work of art alone gives us access - unwillingly accuses our lives.
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All my work keeps going like a pendulum; it seems to swing back to something I was involved with earlier, or it moves between horizontality and verticality, circularity, or a composite of them. For me, I suppose that change is the only constant.
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Colleges and classrooms should be havens of tranquility, places where thoughtful discussions occur, where students work together with their teachers to acquire knowledge of the arts and sciences.
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I really try hard not to work, not to engage, because I know what that means. What hard work it is; it takes me away from my family.
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I'm a little bit of an eternal optimist. People always say to me, 'If you go do this and it fails, what are you going to do?' I don't care. I'm going to give it my best shot. That's what I'm going to do. If it doesn't work, it doesn't work. And I'll try again.
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I work 6:00 a.m. to midnight, seven days a week.
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My feeling about my own work is, I could be writing 'The Aeneid' and they would still have to call it chick lit or mommy lit or menopausal old hag lit.
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When I first arrived in Los Angeles I became a little bogged down in the whole success thing. Now I'm at a place in my life and career where I just want to work. It's what I do and it makes me very happy.
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I'm very interested, for instance, in music in education - getting young people not only to listen to, but participate in the music that I write. I consider this one of the most vital aspects of my work.
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But in action, one defies one's character.
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As a writer, you have to put yourself in service to the character, get behind their eyes by delineating the world where the character develops. You have to listen to the character and see him inside his certain world to know what conclusions he would draw.
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Bloated, one Kirchner himself staggers off to work, where all work is in vain and the onslaught of mediocrity flattens everything. Like the cocottes that I painted, that is how one is now. Wiped out, next time gone.
