Esme Raji Codell Quotes
Something's going on in Cordell's room, but I'm not sure I want to know what it is.
Quotes to Explore
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As an entrepreneur, you only fail when you give up.
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When you come to America, it's a very serious thing. It's not like you arrive and they say, 'Hey, come on! Do movies!' I can't just be hopping around. I have to focus and be still and make sure that I put the time and effort in. Because if I don't, I could lose it like that.
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But in the first Gulf war the United Kingdom was not under any threat from Iraq, and is still less so in the second one. Then there is no justification for obstructing freedom of information, particularly as nations have a right to know what their soldiers are being used for.
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If I were to take an undergraduate chemistry exam, I would probably fail.
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I love Yves Saint Laurent. I love Chanel. And Versace! Such beautiful gowns!
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The injunction that we should love our neighbors as ourselves means to us equally that we should love ourselves as we love our neighbors.
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The Soviet Union represents a threat in terms of might. It is a joke in terms of its economy and what it has to offer the Third World - a laughingstock to countries that are looking for an economic-development model.
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If you don't need umpires out there, and you can put robots out there, then why do we need ballplayers?
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I love Cheetos, those hot, spicy kind. And chocolate. Every time I'm in the airport I'm buying Cheetos and eating them on the airplane.
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I felt it was vital to stress the importance of national security in this debate and the need for a clear path to our exit from the European Union. I hope I have achieved both these objectives.
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Venus knows country matters: country knows Venus: For Love, Dione's boy, was born on the farm.
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There are levels of outrage, and there's a point at which you can't be trespassed upon anymore.
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For me, architects and film directors operate similarly. They are practical. As an architect, you know what you want in the conception of a space - but you still need a lot of people to help you out. You need an engineer, interior architects. But a film is the same - you have all these elements. But in terms of concept, it's always about time. When you approach a building, you need time to go from point A to B. Buildings are designed as a journey and films are the same, you have an opening that you come through, an angle you follow, maybe a disruption in space.
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Theatre tends to be more metaphorical and intense, as you're locked in one room and focused on one thing. Television can hop around, and you need to invest in its naturalistic reality more. But I love writing both, precisely because they're so different.
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Das immer gegenwärtige Zufallselement im künstlerischen Erzeugungsprozeß erfaßt die generative Graphik modellmäßig durch den Einbau von Zufallsgeneratoren in die Programme. Die Zufallsgeneratoren beteiligen sich an der Strukturierung der generierten Information, schaffen dabei unvorhersehbar Neues und erweisen sich dadurch als die zweite schöpferische Instanz neben dem Programmierer . . .
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Something's going on in Cordell's room, but I'm not sure I want to know what it is.
