Pablo Neruda Quotes
Between lips and lips there are cities of great ash and moist summit, drops of when and how, vague comings and goings: between lips and lips as along a shore of sand and glass the wind passes.
Quotes to Explore
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Where having been an actor was extremely helpful to me was in casting. That's where I think a director who has acted can really shine, and casting is the most important thing you do.
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When you commit to something and have fun with it, it appreciates you, the gift, and it starts to help you out.
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I like bangers and really testosterone-fueled stuff.
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My hearing has suffered seriously; just now I am obliged to have the assistance of an ear trumpet. Think of that, my beauty! - There 's a state for your old Lover to be in! - No more tender whisperings! Imagine sweet confessions to be made through an ear trumpet!
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I haven't reported my missing credit card to the police because whoever stole it is spending less than my wife.
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Oh my God, Betty White is actually everything that you would expect her to be like.
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We have to look after the health of the players. Quality suffers with too many games.
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Politics is a good thing!
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In all honesty, titles are an embarrassment to me.
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Science is Christian, not when it condemns itself to the letter of things, but when, in the infinitely little, it discovers as many mysteries and as much depth and power as in the infinitely great.
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Radical Islamists spread from Western Africa through the Middle East, all the way to South Asia to sub-Indian continent.
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Politics exist in the boardroom, as well.
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I asked my mother could I have an instrument. She said, 'Well if you go out and save your money.' So I went and got - I made me a shine box. I went out and started shining shoes, and I'd bring whatever I made.
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I squeeze oranges every morning to make juice.
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Anybody can be good in the country. There are no temptations there.
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I can feel the 60S looming. In my profession, I've just moved along with my age. By thinking in decades, rather than whether someone's 42 or 47, you can give yourself a whole 10 years to turn yourself around in.
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I got into DJing and making beats when I was about 17. I was always fascinated by the four elements of hip-hop: you know, writing, rhyming, breakdancing and graffiti.
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I developed 'Trapped' because I was fascinated with the idea of a terrible crime in a small town cut off from the rest of the world.
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I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'
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I made my living in comedy, but I'm not a silly person. I've got all these sides to me. Even in my movies that I've written myself, the characters sometimes border on great anger or nutsiness or other kinds of behavior. I'm not just doing fart jokes for two hours.
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As far as I can see women who have facelifts don't look younger, just weirder. You see them on screen with these tight, little porcelain faces - then the hand goes up to the face and it looks like it belongs to an alien. I find it really freaky.
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I can't sit still for long and need creative outlets and think you should try different things. I mean, if you're a musician all of your life, you gotta try different things. I really believe you can have it all.
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Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.
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Between lips and lips there are cities of great ash and moist summit, drops of when and how, vague comings and goings: between lips and lips as along a shore of sand and glass the wind passes.
