Zachary Quinto Quotes
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The play I did on Broadway a couple of seasons ago started out of town and it moved its way into New York because of the experience that we had out of town.
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We're living in an increasingly nationalistic, xenophobic time, and you can see it reflected in societies all over the world.
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I was aware of it but I think I was aware of it abstractly, theoretically. You know I understood who Edward Snowden was and what he did but I didn't really see the relevance that it bore in my life and doing film changed that tune pretty quick.
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I saw how vulnerable we all are and how exposed we all are and how this is an issue that affects everyone who owns a piece of technology. Which is certainly most people in this country.
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That idea of comparison is what fans do. That's why fans exist. They believe in something and something connects to them, and they have passionate feelings and opinions about films.
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I think the goal is always to go deeper within myself, and accept myself on deeper levels and to know myself on deeper levels. Whether or not I look for roles that are going to do that for me, I certainly look for the ways in which the roles I get can do that for me.
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There was no other concern; there was no other focus [in the Governor's School]. It was simply there to learn and grow and perform, and that was pretty amazing and informative. I'd say that was a big pivotal moment for me.
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But when I found out that Jamey Rodemeyer had made an It Gets Better video only months before taking his own life, I felt indescribable despair.
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I actually met one of my business partners [Neal Dodson] at the Governor's School summer program, so we've known each other since we were 15 and 16 years old, and we both ended up at Carnegie Mellon together. He started working for a producer out of school after a few years, and then we started the company together.
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It's a very complicated landscape and I don't think there's one easy answer about it [Edard Snowden movie].
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I had to learn how to modulate my performances and interpretations of these roles in auditions for the camera.
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There was a little bit of hesitancy about staying in Pittsburgh and not moving away for college, but that didn't last long. It was right in line with what I wanted, so I auditioned there and it wasn't a tough decision.
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It certainly woke me up to how vulnerable we all are. I think I was much more cavalier about it before I started working on the movie [Edward Snowden], and then the more I read the documents themselves and saw just how sweeping and indiscriminate the intrusions into our privacy have been, it made me more aware.
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Maybe it's because it's connected to my childhood, or it's connected to the origins of what drove me creatively, but I feel like my life never makes more sense than when I'm in that process.
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I changed all my passwords. I have no any two passwords that are the same for any service online. I have two-step verification enabled on all my devices...so yeah, I did take some extra steps that I hadn't taken before being exposed to this world.
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I remember our conversations [with Zachary Quinto] always being frustrated that we weren't doing what we wanted to do, but also filled with the determination that we were going to overcome that.
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They're mounting a campaign right now with the ACLU and a lot of different organizations advocating for [Edward Snoden] pardoning before [Barack] Obama leaves office. Wouldn't it be incredible to see something like that happen? I don't know what we can expect. I am interested in the different points and perspectives that people have.
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Who's to say what would have happened if I had trusted my instincts and moved to New York like I thought I would.
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I think I integrated that over the first couple of years that I was out of school, mostly in auditions, to be honest.
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I found myself in a pattern of being attracted to people who were somehow unavailable, and what I realized was that I was protecting myself because I equate the idea of connection and love with trauma and death.
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It feels that way when I'm doing a play, absolutely. On film and television, it's more complicated than that I think, and when you start to add the business into the mix, and the industry into the mix, it doesn't maintain it's purity. That's something that's inevitable and unavoidable, but that's why I try to do plays as much as I possibly can.
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It just so happened that J.C.[Chandor] was a first-time feature director, and his script was exactly the kind of thing we were looking for.
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I also feel like the kinds of jobs I want right now - I consider them aspirational. I want to raise the bar for myself, and I am in this interesting spot where I do get offered a lot of things, but frankly, the majority of the things I get offered I'm not really interested in doing. I want to do the things that I have to fight for.
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My dad died when I was a kid, so I think it became a place for me to go where my mom knew that I was safe and taken care of and looked after.