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Blonde on Blonde by Bob Dylan I heard when I was 13. It was one of those things where it was like, "Hey, the world is much bigger than you imagined as a little kid."
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Chuck Berry invented rock 'n' roll. He was one of the best songwriters of the 20th century.
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I think of myself as a tomgirl. A boy who's girly in every presentational aspect. And I play guitar and write good songs.
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Lou Reed was an ideal figure to me. He was bisexual, like me, and seemed to inhabit an ambiguous middle place on the masculine-feminine spectrum.
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I write good songs out of fear... fear of failure. Because if they're not good enough, you feel yourself starting to fall.
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I feel like one thing that messed me up was living in a homophobic and transphobic society, and just being the object of mockery and disgust in your average sitcom or movie or person at school.
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My focus is matters of the heart and matters of the spirit, emotion and passion and stuff like that. But I think I've been getting better at being more specific about what it is I care about. Such as the welfare of refugees and solidarity between threatened populations.
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I was like, "Who the hell is Bob Dylan?" I was going to learn one song to appease my mom and alphabetically the first song in the book was "Absolutely Sweet Marie." When I heard it, it was like "Oh, there is something going on here. It's not like my parents' boring music that I don't care about. This is totally electrifying."
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I think rock'n'roll essence is what made it good and has a lot in common with what originally made monotheism good - it's against everything that is fixed, all the social structures that you can't go past.
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Just being a normal person and having a social life involves a lot of dishonesty for me.
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I'm not so adept at social media. It's not my forte.
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I love it when people write rapturously about music they love. Ezra Furman Love Music People About I love obsessive fandom because I'm an obsessive fan who flips out over music.
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If you get into really learning about the roots of monotheism, it was utterly a radical cultural moment. The Bible was so revolutionary and against all that came before it.
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Not only am I a shy person, I take a little while to say what I mean, especially in a social situation, and usually those move too fast for me to say anything at all.
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God is close to the brokenhearted, and God lifts up the lonely. That was a message that was explicitly quoted to me and was part of my upbringing: Brokenhearted people and poor people and people who are in trouble should be your focus, and you should be on their team.
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I had so many secrets and so much social repression throughout my life. I guess I'm just a shy person and feel like my true self is unacceptable to most people.
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As children my grandparents were refugees. Eventually they got to the U.S. - in 1950 or something. They grew up as refugees. Their earliest memories are of living in a home with their family. It's in my blood, I guess, to have a fear about encouraging fascism.
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I heard the Velvet Underground and that changed things when I was like, 15.
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I'm certainly not interested in religion for religion's sake or for some kind of structure or stabilizing force. Religion is supposed to be for God's sake and God is an unpredictable, wild thing.
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It's one of the guiding philosophies of my life - not fearing any authority on earth.
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A repressed person overcoming their repression always makes good music.
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I take it hard whenever anything happens that makes, I guess, queer people feel less safe and less welcome in the world.
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We music fans go to shows for transcendence; it's like being called to prayer.
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The Bible was so revolutionary and against all that came before it. It was a force for siding with the oppressed and a rebellion against hierarchical, ancient societies. Now it's institutionalized and all the life has been sucked out of it.