Zach LaVine Quotes
Quotes to Explore
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When I go back to New York all these years later, I'll walk down Seventh Avenue, and I'll hear, 'Yo, Oz!' In New York, I get recognized for that all the time.
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To give pleasure to a single heart by a single act is better than a thousand heads bowing in prayer.
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I am obsessed with the Great Depression and with former showgirls - and the Victorians - the idea of wistful, dark romance.
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Among my generation, there was a purist position that any contact with electoral politics was an unforgiveable compromise.
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I have more friends in New York than Paris.
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If you have two parents who have to work, who want to work, you need to have someone to guide your child.
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I'm excited that I get to do what I love, and I'm benefiting through projects that speak to me.
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I was raised to treat my body as a temple, but even as a little girl, I had a major issue with self-esteem. I thought there was something wrong with the temple.
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If you take away the gift of reading, you create the gift of listening.
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I don't really feel McCain. It ain't just because Barack is black; he can make change. Just like Bush equals recession, Barack equals progression.
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In New Orleans, music is part of the culture. You're raised with it, from the cradle to the grave, and all in-between.
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Men are sort of doofuses about sunscreen, and for the most part, women are more inclined to take better care of themselves, but a reminder is always good for everyone.
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As an actor, you don't want to play a one-dimensional character.
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Any pitcher who might throw at me should know I'm not giving up my day job or trying to get anyone else's job. I just can't think of anything cooler than being one of the boys of summer!
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When there was a fight in school, because I was the tall one, the teachers would say, 'I know you were there. I could see you.'
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Over the years, I've heard a lot of people who don't feel that they have it in them to do anything creative. They shrug and claim that they 'have no talent.' They say things like, 'Don't quit your day job' or 'Leave it to the professionals.' In the steampunk subculture, I don't hear those things.
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It would have been fun to have played Tim Robbins' role in Bull Durham.
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I know I'm not a conventional beauty. You can read a lot of painful things on the Internet, which criticise you aesthetically - but as far as I'm concerned, that's not what an actress is.
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There are always people who are into the old way of doing things. I don't think it's a bad thing necessarily, but things change - nothing stays the same. If you can stay true to yourself, you're always going to be legendary.
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It's a shame how a lot of actors use theater as a stepping stone to film and television work; I think it shouldn't be treated that way. Maybe it's narcissism or something. I think we should always go back to it. I try and do a play a year, and I think that's really helped me.
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Many say an art dealer running a museum is a 'conflict of interest.' But maybe the art world has lived an artificial or unintentional lie all of these years when it comes to conflicts of interest.
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He wanted to live without distractions; he wanted to focus all the life-force he had left on this last book. But now it was hard to concentrate. There was something new in his life. There was the painful distraction of desire.
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It was a big-time change, coming off the bench.
