Irving Penn Quotes
Quotes to Explore
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I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
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Jazz vision for me is seeing my art in musical term. It offers me an visual expressions in an ever-changing musical palette.
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I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
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If you think Wall Street has a short memory, you're dead wrong. No, the folks who work on Wall Street, regulate Wall Street - and, above all, invest in its wares, notably its hedge funds - don't have a bad memory. They don't have any memory at all.
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It's a cliche, but there really is no handbook about the celebrity thing; you have to figure it out as you go along.
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Animals keep you company when you're really lonely. It helps because when you have a friend around who always likes you no matter what - it's harder to feel bad or down.
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If life must not be taken too seriously, then so neither must death.
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Sometimes I think we're alone. Sometimes I think we're not. In either case, the thought is staggering.
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Whether it's through introduction of the right gut bacteria or direct modification of the genes of cows and pigs, I think we're going to have to introduce something like this into our livestock - a way to consume the methane rather than releasing it.
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Sometimes I'm happy - you can tell via Twitter. Sometimes I'm pissed off - you can tell via Twitter. I just think, at the end of the day, I don't want them to see me as a celebrity; I just want them to see me and say, 'He's like a regular person at his job right now who's mad.'
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If you want to talk about cultural appropriation, we have to go back to the Greeks.
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I dare anybody to look at me and say I'm anorexic. I'm so totally not.
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There's a pleasure in being reminded of the value of ordinary life.
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I might go on discussing this subject at great length, but after all is said, done, and written, my own book of experiences will best show what these obstacles are, and how I managed to overcome them to some extent.
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I think the process is one of using the camera and sound in the way a detective uses a magnifying glass: to find the clues. They're discovery devices, not performance devices - you're watching things the way a cat does. You're not judging. You're there to witness something.
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I believe you can achieve anything if you work hard enough to get it.
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The older you get, the things that you thought you wanted to do when you were younger, you're checking them off your list because you no longer want to them.
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Working on 'Girls' opened up a lot of opportunity for me. It's like a dream job. It's a dream.
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In France, a woman may forget that she is neither young nor handsome; for the absence of these claims to attention does not expose her to be neglected by the male sex.
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I had worked my whole life. Until I became a mother, that's the only way I measured my value.
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I would rather gamble on our vision than make a 'me, too' product.
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For quite a while, it didn't feel right. How could I feel joy when I lost the love of my life? I'm learning that those two things can co-exist. It will never be the same joy, but it doesn't mean there won't be joy.
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I'm like a conductor. I come up with ideas, and I get all these people to make great music together. I have a team of really talented assistant designers. I have architects in my office. People I trained from the beginning in menswear, womenswear, and home. I have a great team who know what I want and feel and translate that into beautiful results.
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What I really try to do is photograph people at rest, in a state of serenity.
