Madeleine Albright Quotes
I wasn't a normal professor. I had worked in government. I hadn't written nine zillion books. I was a hands-on professor.
Quotes to Explore
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I get up, go and get a coffee, and go do the crossword - I'm loyal to one particular paper, the 'Guardian' - and that's my idea of a perfect morning.
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If I want popularity, I go to a chef's convention.
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It is by a wise economy of nature that those who suffer without change, and whom no one can help, become uninteresting. Yet so it may happen that those who need sympathy the most often attract it the least.
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To worship the product and ignore its development leads to dilettantism and reaction.
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Why do elites hate the poor? It's xenophobia. They don't know any poor people - except their off-the-books Brazilian nanny and illegal immigrant cleaning lady from Upper Revolta who don't speak English.
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Anyone can call himself a promoter. Anyone can call himself a promoter and stage a fight. Unlike other professional sports, whose owners collude out of mutual interest in their sport's image and general welfare, there are no real alliances or partnerships in boxing.
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I pass by that it is very culpable to be facetious in obscene and smutty matters.
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My fear with Trump was always that he didn't have great solutions.
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I just take it one day at a time. Austin Powers has given me a lot of opportunities as far as my career.
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What I've noticed is not only in the military, but in the first responders community, that when you reach out your hand to help one of them, they almost always grab your hand with only one of theirs, because they're using their other hand to reach behind them and pull up somebody else with them.
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The really courageous and bold thing is to make movies about human behaviour.
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You make your mistakes to learn how to get to the good stuff.
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I love the way girls in London dress; it's so different to the American 'blow-dry and immaculate grooming' thing.
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The very least you can do in your life is to figure out what you hope for. And the most you can do is live inside that hope. Not admire it from a distance but live right in it, under its roof.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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Money is power. Power is an aphrodisiac.
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I wasn't being bullied at school at this point. I had a group of friends, and I was isolated because I wasn't communicating with my parents. I wasn't telling them what I was going through.
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Kaepernick's protest has been very successful. I really appreciate the fact that he's been giving away money to organisations; he pledged to give away a million dollars, and he's been doing it.
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It wasn't like I was specifically wanting to write songs about technology. It's just what I lived, what I was experiencing growing up.
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What I have been trying to do in this book is not so much to propose a vision of what, precisely, the next age will be like, but to throw open perspectives, enlarge our sense of possibilities; to begin to ask what it would mean to start thinking on a breadth and with a grandeur appropriate to the times.
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On my first trip to New York in the 1980s, the first place I wanted to visit was the Plaza Hotel, home to Kay Thompson's Eloise.
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Canada has two emblems - the beaver and the maple.
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I decided to restore 'Napoleon' after a widescreen festival at the Odeon Leicester Square in 1968. It was run by Richard Arnell and George Dunning, who animated and directed 'Yellow Submarine,' and they'd got their hands on the last scene, the triptychs. They just showed that part, without music and with the projectors misaligned.
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I wasn't a normal professor. I had worked in government. I hadn't written nine zillion books. I was a hands-on professor.
