Nargis Fakhri Quotes
I knew that all South Indian language films were first made in Chennai and that Tamil Nadu is one of the biggest film-producing centres in the country. I wanted to be part of films here.
Quotes to Explore
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I can sing 'Happy Birthday' to you in twelve different places, but one of them is going to make you feel a certain thing, maybe it's a vulnerability, maybe an innocence, maybe another way is sexy and soulful or bluesy whatever it is, but with singers, exploring keys, I think, is important.
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'Dhruva' is not a first person narrative of Siddharth Abhimanyu.
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I am flirtatious by nature, but I have never hurt anyone.
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I worked from 10 p.m. until 1 a.m. every night for a year to write the first 'Chicken Soup for the Soul' book.
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Everything I do is for my parents, None of this matters without them. If it weren't for them, I wouldn't be here... If it wasn't for them, if it wasn't for the structure and the backbone that I have, I wouldn't be able to mess up and keep coming back and sit in front of you as a world champion.
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From my point of view, I'm a totally normal person! Really! I have a family. I have kids. I have a house... I don't have a dog.
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Should the time come when the county family will be taken away, then the parish will feel for some time like a mouth from which a molar has been drawn - there will be a vacancy that will cause unrest and discomfort.
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Always write as if you are talking to someone. It works. Don't put on any fancy phrases or accents or things you wouldn't say in real life.
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I have always found women difficult. I don't really understand them. To begin with, few women tell the truth.
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My dad's one of the funniest men in the world. I grew up with him making me laugh so much I'd beg him to stop.
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I hated singing. I wanted to be an actress. But I don't think I'd have made it any other way.
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I'm so bad at baseball, I can't even hit now.
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There's nothing that's in an actor's control. I've learned at this point you do things and you let them go. There's no way to control the outcome. The only thing I have any sort of reign over is my own experience.
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Maybe the one I enjoyed playing most was A Month in the Country.
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I auditioned for 'The Office,' and I don't know if it was a role I could do, but I liked the character. You do one take, and you're reading with a person who's just sitting in a chair and not really... you're not playing off someone, which is what I like to do. I like to play around and find the moment.
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It is not the form that dictates the color, but the color that brings out the form.
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I think, the people around home are very supportive to us.
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Conversion for me was not a Damascus Road experience. I slowly moved into an intellectual acceptance of what my intuition had always known.
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A lot of people like to run in plays because it's a nice, steady job.
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You can't worry if it's cold; you can't worry if it's hot; you only worry if you get sick. Because then if you don't get well, you die.
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We are not post-racial. And in many ways we don't even know how to have a conversation about being post-racial. Until we get out of that old-school way of thinking about race and opportunity and the ability to transcend some of the past of this country, then we're going to be stuck in the 20th-century conversation about race.
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There were a lot of negatives, of course, but there were positives to living a life unfettered by possessions. It gave us the chance to focus on education, which was very important in the Soviet Union.
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We were on the cover of Women's Wear Daily, which was hardly rock 'n' roll, but it pleased me.
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I knew that all South Indian language films were first made in Chennai and that Tamil Nadu is one of the biggest film-producing centres in the country. I wanted to be part of films here.
