Glenn Miller Quotes
I haven't got a great jazz band and I don't want one. Some of the critics, Down Beat's among them, point their fingers at us and charge us with forsaking real jazz . . . It's all in what you define as 'real jazz.' It happens that to our ears harmony comes first. A dozen colored bands have a better beat than mine. Our band stresses harmony.
Quotes to Explore
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Don't change a thing. That's one of the best gimmicks a band could ever come up with.
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Today's accent may be on youth, but the stress is still on the parents.
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The guys in my band buy instruments and sell and trade them. But if I have something I hang onto it. Everything is sentimental to me.
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For a band like us tracklisting is a massive, massive task.
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We should purify our innate well of contentment - what a wonderful expression - and then external things will be in harmony with us.
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I got a lot of influence from my father, honestly. He'd take me in his car. I'd hear Carlos Santana. I'd hear Queen. I'd hear all these Turkish people, like, bands that he grew up listening to. He was in a band as well.
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Exercise is more important than diet for me because it's a twofer. It keeps me in good physical shape, and it relieves stress. And when you're a representative of the public, there's never a shortage of things to do.
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Painful emotions show you what prevents you from creating harmony, cooperation, sharing and reverence for life.
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Quite often, little germs of ideas have come from something that I've observed or someone's told me. The process of it becoming fiction is expanding and extending it: stretching the rubber band of reality.
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When I was a kid, and it was time to go to college, I thought, 'College is for people who don't have the street smarts to make it on their own - get in a band, get in a van, and get rockin'.
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Every band I knew or played with had flyers and properly-recorded demos and contacts; I couldn't even get a gig.
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Whether a person is spiritual or not, we all seek to get away from the stress, anger, and anxiety of everyday life. Some people drink, do drugs, or do worse to escape, and they hurt themselves in the process. Some people listen to music, mine included, and feel better.
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To love the carnal self means to love the body-mind. I cannot abuse my body with alcohol, stress, and self-indulgence and still claim to love my self.
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I never want to be in that stage where a band ends up playing state fairs and casinos. I am not willing to go out shooting up Botox and eating corn dogs while judging pig contests.
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My sister and I shared a bedroom our entire lives and I believe she discovered the Beatles when she was about 11 and I'm four years younger. So from the age of 7 until 17 we had nothing but Beatles paraphernalia in our room, even those little stuffed Beatles that went on stands that are dressed as the Sgt. Pepper band.
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The band couldn't have happened anywhere else in the world but New York. That was the catalyst.
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I think I did a good job of compartmentalizing my life. It's crazy to say it, but even if football was this dangerous thing, it was a place where I could focus all my energy. I'm sure it's not the healthiest thing to direct stress from football into football, but that's basically what I did.
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I generally prefer to come in to the studio with a fully written song and then work on the arrangement with the band. Sometimes even the arrangements are pretty much already worked out in my head, but other times we experiment.
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Doing something like 'Damages,' I played a character with post-traumatic stress. I was playing with sleep deprivation. I was not sleeping; I stayed up for three days at a time, drinking Red Bull. I would get shaky and tired and hyper.
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'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.
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I can only guess that, for guys in their 30s and 40s who watched me play, they understood that the score never mattered and my paycheck never mattered (in relation) to how I played. I played with Little League enthusiasm and professional flair. That's what fans are really looking for.
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I haven't got a great jazz band and I don't want one. Some of the critics, Down Beat's among them, point their fingers at us and charge us with forsaking real jazz . . . It's all in what you define as 'real jazz.' It happens that to our ears harmony comes first. A dozen colored bands have a better beat than mine. Our band stresses harmony.
