Daniel Myrick Quotes
I think that's what's happened with a lot of people in films these days: they're so enamored with the process, whether it's CGI or using a huge crane that they lose sight of being resourceful. Sometimes you go into a room and all you need is one lamp to light the room. Sometimes all you need is just one simple location to do the job. I think that's more out of habit: you work with what you have to work with.

Quotes to Explore
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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It's a luxury to not have to just be performing with other people to have my music heard.
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For me, for the type of addict I am, when I start getting those swirly thoughts and stuff, and they talk about slippery places, slippery people and slippery things, you know, I need to - I needed to take my cell phone and eliminate all the phone numbers, change the phone numbers so no one I knew before could call me or reach me.
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There's nothing worse than a director who feels more like a cop than a comrade, so I try to never give orders or create an environment where it's 'my way or the highway,' because actually allowing talented people to bring their originality and insight always brings more depth and complexity than if everyone has to do what you tell them to!
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Some people look for a certain structure in their lives that they're comfortable with. People who work hard on the road as truckers, people who work hard using their hands. Then there are people who are fortunate enough to have my life, people who play these characters who embody these qualities.
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At Tiger Stadium, the dugouts are so low that you walk in and hit your head on the ceiling. People would say, 'Don't feel bad. Ty Cobb did the same thing.'
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People give us credit only for what we ourselves believe.
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I try to be a nice person, but it's difficult sometimes.
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I don't compare shows. It's very simple. I don't live in the past. If there's any secret to my longevity, it's living in the future. And a little bit in the present.
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I don't care what other people are doing.
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I don't really like the idea of putting myself in any category now... I think that people are looking for music that's real and honest and that they can relate to emotionally.
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People follow me because I am just a normal person, and they can relate to me.
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I've been recording forever. I'm a watcher. I'm a stalker. I love everything about people. It's always been a passion for me to observe.
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Rap is from the streets and I'm from the streets. That's why a lot of people accept me.
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You used to get people writing in to the Liverpool Echo saying, ‘Who is this Martian walking round town?’ I used to get battered. Going out for lunch was like running the gauntlet.
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It's not that transgender people are going to go and molest children. It's that once you say men can go into women's bathrooms - men who are out shopping with their little daughters and don't have mommy to bring her in there. It's not that the trans are going to molest them, it's that a child molester now has the right to go into that bathroom.
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On my Youtube page there are so many haters. They just say crazy stuff. Like, I'm not mad. I'm 16 years old and I don't have chest hair and I'm not angry about it at the moment. That will come. People are like, 'Look at him he puts helium in his voice before he sings.' You just have to laugh at yourself. It's funny.
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There is this brutal side to tennis. It was invented as a game for kings and cardinals and people with a lot of power who didn't have to share the field with other players.
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The problem is that many people operate on the assumption that NASA should go to Congress every year with hat in hand and justify it every year. Well, I see it as the greatest economic driver that there ever was. Economic drivers don't need justification.
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Swarms are one very simple way of keeping ourselves ahead of the machines.
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I got a job as an assistant film editor, which lasted for a few years, but I found writing incredibly difficult, and I thought, 'How am I going to make a film if I can't write?' I didn't really comprehend that someone else would do that bit.
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To converse with Scandal is to play at Losing Loadum, you must lose a good name to him, before you can win it for yourself.
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I think that's what's happened with a lot of people in films these days: they're so enamored with the process, whether it's CGI or using a huge crane that they lose sight of being resourceful. Sometimes you go into a room and all you need is one lamp to light the room. Sometimes all you need is just one simple location to do the job. I think that's more out of habit: you work with what you have to work with.