Daniel Olivas Quotes
I think being raised within a Mexican Catholic family made magical realism a very natural part of who I am as a person and as a writer. My parents always told us great stories that often had magical elements and roots within Mexican folklore. Also, I remember my father reading a book to me, when I was very young, about the lives of saints. Those were crazy scary stories! Maybe he was trying to scare me into being a good person. In the end, magical realism offers me untethered freedom to explore human frailty and the way we clumsily cobble together our lives on this strange planet.
Quotes to Explore
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God bless nannies.
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Painting bodies with the patterns of Kusama's hallucinations obliterated their individual selves and returned them to the infinite universe.
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Creating things sometimes is difficult.
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I believe that we are at a very low level of consciousness, and we do not know how to treat each other as human beings. We are caught up in our own lives, our own needs, our own ego gratification. I feel a strong sense of responsibility in delivering that message.
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Boys can just wear a suit on the red carpet and that's fine, but for girls it's all about the way you look, and there are constant comparisons.
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Reason cannot calm the storm of emotion, and emotion usually wins, until it settles down and allows reason to rise again and apologize on behalf of it.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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I am not afraid to go to jail.
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I never really do much research before signing a film. It is just the script and character that I concentrate on.
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I never had little brothers, so I was totally not used to hearing a lot of cussing at a young age! I learned what 'pull my finger' meant the hard way.
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I have a theory about that, if you have to say something, if you have encourage for one second a prospective acting student - he should not go in to acting.
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Albanians are a nation of freedom fighters who know something about living under oppression.
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I barely watch TV apart from the news. Most of it is rubbish. There's all this reality nonsense and dross. I think there's a market for a well-produced, well-written melodrama like 'Dallas.' It's pure entertainment.
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Like an apparently strict musical form it breaks the five minute whole into its structural parts - a descriptive preamble, the action of taking the cards, the development of the cards' manipulation and the revelation of what has been achieved.
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I was excited by the idea of playing a Nazi.
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Deep in the human nature, there is an almost irresistible tendency to concentrate physical and mental energy on attempts at solving problems that seem to be unsolvable. Indeed, for some kinds of active people, only the seemingly unsolvable problems can arouse their interest.
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With a male-centric show, the women are usually very two-dimensional.
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I write early in the morning at the computer, and people think I'm crazy, but I still use my Mac-Classic even though we have a state-of-the-art PC. There are just less distractions with the simpler machine.
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California, that advance post of our civilization, with its huge aircraft factories, TV and film studios, automobile way of life... its flavourless cosmopolitanism, its charlatan philosophies and religions, its lack of anything old and well-tried rooted in tradition and character.
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There's this one show that I want to be in so badly. I'd try everything to get into 'The Walking Dead.' I don't even care if I'm a zombie.
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Man is in pursuit of two goals: he is looking for happinesse and, being by essence empty ("étant vide par essence", Fr.), he is trying to fill (or take up, - "remplir", Fr.) his life; the latter reason play a more considerable role than we ordinarily think. What we take for vainglory, ambition, love of power and riches (or wealth), is often, indeed, a need to mask this emptiness, a need to let one's hair down (or to live it up), to put oneself on a false scent or trail. (de se donner le change", Fr.)
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When I first decided I was going to have a go at writing a book - and really, it was a mid-life crisis - I was 39. I was in business with my husband; we had a very busy lifestyle and quite a hectic schedule running this flourishing business in travel, and I found myself waking up and realising that I didn't want to do this anymore.
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I have purposely presented the land ethic as a product of social evolution because nothing so important as an ethic is ever ‘written’ … it evolves in the minds of a thinking community.
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I think being raised within a Mexican Catholic family made magical realism a very natural part of who I am as a person and as a writer. My parents always told us great stories that often had magical elements and roots within Mexican folklore. Also, I remember my father reading a book to me, when I was very young, about the lives of saints. Those were crazy scary stories! Maybe he was trying to scare me into being a good person. In the end, magical realism offers me untethered freedom to explore human frailty and the way we clumsily cobble together our lives on this strange planet.
