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I am not the archetypal leading man. This is mainly for one reason: as you may have noticed, I have no hair.
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Tom Hanks knows the name of all the episodes.
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I am told that there have been over the years a number of experiments taking place in places like Massachusetts Institute of Technology that have been entirely based on concepts raised by Star Trek.
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I've often reflected on this in the past weeks as I've been following the presidential campaign: Very often, I thought it would have been great for both of these guys to sit down and be force-fed a couple of dozen episodes of Star Trek.
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I became a better listener than I ever had been as a result of playing Jean Luc Picard because it was one of the things that he does terrifically well.
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I don't do impersonations. I can do a wounded elephant! I can do a really good cow! And because of the amount of time I spent in North Yorkshire, I do a variety of sheep. All of which I will be happy to roll out for you!
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For seven years I did very little theatre, and I have to make up some time.
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We had some very distinguished fans: I know one chancellor of a major university who used to schedule his meetings around Star Trek. We were thrilled to discover that Frank Sinatra was a big fan.
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One of the things that I've come to understand is that as I talk a lot about Picard, what I find is that I'm talking about myself.
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It still frightens me a little bit to think that so much of my life was totally devoted to Star Trek and almost nothing else.
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I think I came back from America a funnier and nicer person than I went.
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The only still center of my life is Macbeth. To go back to doing this bloody, crazed, insane mass-murderer is a huge relief after trying to get my cell phone replaced.
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Having spent so much of my life with Shakespeare's world, passions and ideas in my head and in my mouth, he feels like a friend - someone who just went out of the room to get another bottle of wine.
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I wouldn't know a space-time continuum or warp core breach if they got into bed with me.
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I certainly wanted to maintain some sense of mystery about Picard and that's why we never allowed certain situations to fully evolve, like the relationship between Picard and Beverly Crusher.
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During the course of the seven years I played scenes with an oil slick, I played a scene with a grain of rice. Sometimes with indescribable creatures. I remember having a conversation with something which was simply a smell, that's all. It was part of our job.
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Encouraging people to believe in it was the most important thing of all. It's one of the reasons I was always uncomfortable whenever film crews came on the set to shoot things. I didn't want our make-believe to be exposed.
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Creating a believable world on the ship was very important, and technically they got better and better and better at showing the ship too.
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I had come to the point when I realized it was unlikely that my film career was going to move beyond a certain level of role. And I was - because I had graphic instances of it - handicapped by the success of Star Trek. A director would say, 'I don't want Jean-Luc Picard in my movie' - and this was compounded by X-Men as well.
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The truth of the matter is, all of those guys on Star Trek: The Next Generation actually want to be me. These impersonations they do are just some way of trying to feel what it must be like to be me. And I understand that! Because it feels really good to be Patrick Stewart!