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I think if people have more of an understanding of what I'm doing, then they'll appreciate it and get into it more.
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I don't want to rewrite history.
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People have a hard time going to a club and seeing this business tool on stage that's wholly indicative of everything that rock is not. Rock is not about sitting in an office setting up documents, yet they see someone on stage doing that.
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I rarely assess live shows after I play them.
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Records can ruin you. That's why it's important to be as intimately familiar as possible with the history of recorded music, I guess. In a way, it's an argument for record collecting.
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It's funny, because I'm so associated with digital art and computer art, and yet I spend so little time in front of the computer.
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I love collecting; my joy is finding private press American or European home studio electronic music from the 60s and 70s.
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With the mailorder, I wake up in the morning, I check my e-mail, process the orders, and then I just print everything out. And then for the rest of the day it's actually sitting with paper.
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I can only stand to sit in front of my computer for three or four hours a day. Otherwise it can get really soul-sucking.
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I think Pro Tools is pretty analogous to how people composed music on tape back in the 70s, taking little fragments of things and saying, 'How can we organize these in a sensible way'?