Danny Clinch Quotes
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
Quotes to Explore
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I think in a play it's wise to just sit back and watch other actors and be able to shape it from the audience.
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India is an important market for Ericsson, not only as a telecom market but also as a global hub for R&D.
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I've discovered that I value simplicity above all in dressing. I don't like anything I wear to be too complicated or fussy.
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I always had this childhood image in the back of my mind of this fantastic place where all the things I liked came from; Orson Welles, jazz, all that stuff. Los Angeles is one of those places where somebodies become nobodies and nobodies become somebody.
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Compassion doesn't, of course, mean feeling sorry for people, or pity, which is how the word has become emasculated in a way.
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I cannot sing Vampirella artist Patrick Berkenkotter's praises loudly or often enough.
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Forgiveness is the key to action and freedom.
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There is a huge crisis of employment in America, in the Western world in general.
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I used to be a pretty good hit-and-run man when I played in the minors. I handled the bat well and could hit the ball to the right side of the infield. Nevertheless, I know that you often give the opposition an out on the hit-and-run play.
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6) Everybody talks first draft.
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We say in popular speech that we come into this world, but we do nothing of the kind. We come out of it. In the same way as the fruit comes out of the tree, the egg from the chicken, and the baby from the womb, we are symptomatic of the universe. Just as in the retina there are myriads of little nerve endings, we are the nerve endings of the universe.
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I was born in Northern California and lived there until I was about eight years old. Then my parents moved me up to Seattle. I lived there from ages eight to 16. When I was a California kid, I remember running around in my bathing suit and barefoot all the time and getting a suntan.
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God is a challenge because there is no proof of his existence and therefore the search must continue.
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I really appreciate what it takes to create a book. I understand the loneliness that it involves and the excitement and the vulnerability: I especially identify with that.
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Rebuilding has always been one of my specialities from the time I started with young players at Cagliari.
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I want to give you a way to eat your broccoli in a way that you actually want to eat it.
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Dreams are the ones that really keep me moving all the time. That's what drives me.
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All men are interdependent. Every nation is an heir of a vast treasury of ideas and labor to which both the living and the dead of all nations have contributed. Whether we realize it or not, each of us lives eternally 'in the red.' We are everlasting debtors to known and unknown men and women.
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'Long Black Train' was inspired by a vision that I had of a long, black train running down this track way out in the middle of nowhere. I could see people standing out to the sides of this track watching this train go by. As I was walking, experiencing this vision, I kept asking myself, 'What does this vision mean and what is this train?'
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A body can only deliver up the truth its bones know, Its blood, which is its history.
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I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
